The Australian Screen Sound Guild is pleased to announce the feature nominees for the 2021 ASSG Awards.

Congratulations to all the nominees!

Soundtrack of the Year

The Dry
Chris Goodes – Re-Recording Mixer, Sound Designer, Supervising Sound Editor
Glenn Newnham – Supervising Sound Editor
Ann Aucote – Sound Recordist
David Williams – SFX Editor and ADR Recordist
Lee Yee – SFX Editor and Foley Editor
Mario Vaccaro-  Foley Artist
Alex Francis – Foley Recordist
Helen McGrath – Boom Operator
Jack Rodrigues-  Boom Operator
Liesl Pieterse – ADR Recordist
Will Carroll – ADR Recordist

The Furnace
David Raines MPSE – Supervising Sound Editor
Nick Gallagher – Sound Designer
Pete Smith CAS – Re-recording Mixer
David Raines CAS – Re-recording Mixer
Duncan Campbell – Re-recording Mixer
Nick Gallagher – Re-recording Mixer
Lucy Messenger – First Assistant Sound Editor, Foley Artist and Editor
Terri Bellem – Second Assistant Sound Editor
Justine Angus – Dialogue Editor
Duncan Campbell – Sound Effects Editor
Mike Fragomeni – Foley Mixer
Les Fiddess – Foley Supervisor & Foley Artist
Carlos Manrique Clavijo – Mix Assistant
Yvonne Murray – Mix Assistant
Gavin Repton – Production Mixer
Chris OShea – Boom Operator
Pete Best – ADR Mixer
Steve Finnigan – ADR Mixer
Liam Moses – ADR Mixer
David Williams – ADR Mixer
Ben Stewart – ADR Mixer
Arian Pearson – ADR Mixer
Ahmed Sabbour – ADR Mixer
M Hassan Alhanafy – ADR Mixer
Owen Grieve – ADR Recordist
George Zakaria – ADR Recordist

High Ground
Chris Goodes – Re-Recording Mixer, Sound Designer, & Supervising Sound Editor
Liesl Pieterse – Sound Editor and ADR Recordist
Glenn Newnham – Sound Editor
Luke Millar – Sound Editor
Lee Yee – Sound Editor
Dylan Burgess – Sound Editor
Mario Vaccaro – Foley Artist
Alex Francis – Foley Recordist
Will Carroll – ADR Recordist
Trevor Hope – ADR Recordist
Adam Sullivan – ADR Recordist
Michael Zachario – Foley Editor
Nick Emond – Sound Recordist
Glenn Fitzpatrick – Additional Sound Recordist
Jack Rodrigues – Boom Operator

Mortal Kombat
Robert Mackenzie – Sound Supervisor and Re-recording mixer
James Ashton – Sound Design
Mick Boraso – Sound Design
Steve Burgess – Sound Design
Des Kenneally – Sound Recordist
Phil Heywood – Re-Recording Mixer
Jed Dodge – Dialogue and ADR Supervisor
Leah Katz – ADR Editor
Tara Webb – SFX Editor
Adrian Medhurst – Foley Artist
Duncan Campbell – Foley Mixer
Jessica Meier – Assistant Sound Editor
Dylan Burgess – Sound Editor
Ryan Squires – Foley Editor
Sam Roger – Assistant Foley editor
Chris Vetrisano – Sound Assistant
Glenn Butler – Re-recording Engineer
Daniel Hackett – Re-recording Engineer
Marco Arlotta – Boom Operator
Aimee Mullins – Second Boom Operator
Leigh Kenyon – Boom Operator
Angus Robertson – ADR Mixer
Tim Ryan – Music Editor
Katrina Schiller – Music Editor
Liam Moses – ADR Mixer

Mr. Inbetween
Robert Mackenzie – Co-Sound Supervisor & Mixer
Tom Heuzenroeder – Co-Sound Supervisor & Mixer
Jed Dodge – Dialogue Editor & ADR Supervisor
Leah Katz – Dialogue Editor & ADR Supervisor
Adrian Medhurst – Foley Artist & Supervisor
Jessica Meier – Sound Assistant
Stuart Morton – SFX & Atmos Editor
Mick Boraso – SFX & Atmos Editor
Duncan Campbell – Foley Recordist
Ryan Squire – Foley Editor
Monica Anderson – RMS Producer
Nathaniel Watkins – Sound Recordist
Andy Duncan – Boom Operator
Piotr Wasilewski – Sound Assistant

My Name Is Gulpilil
Tom Heuzenroeder – Sound Designer & Composer
James Currie – Sound Recordist
Duncan Campbell – Foley Recordist
Adrian Medhurst – Foley Artist
Sarah-Jane Rohrsheim – Additional Sound Recording

Nitram
James Ashton – Sound Designer
Steve Single – Re-Recording Mixer and Dialogue Editor
Dean Ryan – Sound Recordist
Mark Lavery – Boom Operator
David Williams – ADR Recordist
Mario Vaccaro – Foley Recordists
Alex Francis – Foley Recordists
Megan Howieson – Foley Editor
Skye Hollingsworth – Sound Post Producer

Penguin Bloom
Chris Goodes – Re-Recording Mixer , Sound Designer, Supervising Sound Editor
Glenn Newnham – Supervising Sound Editor
Nick Emond – Sound Recordist
Lee Yee – Sound FX Editor
David Williams – Sound FX Editor and ADR Recordist
Mario Vaccaro – Foley Artist
Akex Francis – Foley Recordist
Gerry Nucifora – Boom Operator
Megan Howieson – Foley Editor
Michael Zachariou – Foley Editor
Victor Emond – Production Sound Assistant
Tim Ryan – Music Editor
Katrina Schiller – Music Editor

Peter Rabbit 2
Robert Mackenzie – Supervising Sound Editor and Re-recording Mixer
Andy Wright – Supervising Sound Editor and Re-recording Mixer
Kevin O’Connell – Re-recording Mixer
Ben Osmo – Production Sound Mixer
Sue Kerr – Boom Operator
Gary Hamden – Boom Operator
Leah Katz – Supervising Dialogue & ADR Editor
Justine Angus – Supervising Dialogue & ADR Editor
Ulrika Akander – ADR Supervisor
Becky Sullivan – ADR Supervisor
Tara Webb – FX Editor
Mike Boraso – FX Editor
Stuart Morton – FX Editor
Steve Urban – Dialogue Editor
Adam Connelly – Foley Editor
Mario Vaccaro – Foley Artist
Alex Francis – Foley Recordist
Beth Bezzina – Assistant Sound Editor
Megan Howieson – Assistant Sound Editor
Jess Meier – Assistant Sound Editor
Tim Ryan – Music Editor
Sherry Whitfield – Music Consultant
Al Clay – Score Mixer
Evan McHugh – Score Engineer
Craig Beckett – Score Pro Tools Operator
Gary Dodkin – Production Sound Mixer: UK
Kyle Arzt – Re-recording Mix Technician
Owen Grieve – Re-recording Mix Technician
Will Carroll – Re-recording Mix Technician
Brian Roth-  Animation Dialogue Recordist
Diego Ruiz – Animation Dialogue Recordist
Jean McGrath – Animation Dialogue Recordist
James Bowman – Animation Dialogue Recordist
Evan McHugh – Score Engineer
Craig Beckett – Score Recordist
Rose Mackenzie-Peterson – Asst Score Engineer
Liam Moses – ADR Mixer