A wonderful day was had by all at Doltone House in Pyrmont, where Alex Lee & Craig Reucassell were our MCs for the afternoon. Unfortunately, the winds kept many of our members from being able to make it, however, we celebrated their achievements in their absence and look forward to smoother sailing (flying) next year.
The Australian Screen Sound Guild is pleased to announce the winners for the 2018 ASSG Awards.
Greg Bell Student Encouragement Award
Jacob Hafner Keelan
Syd Butterworth Lifetime Achievement Award
Sue Kerr
Best Sound for a Television Commercial or Promo
Jasper
Timothy Bridge – Sound Designer and Mixer
Joe Mount – Voiceover Recordist
Blair Slater – Foley Supervisor/Editor
Dan Johnston – Foley Artist
Duncan McAllister – Foley Recordist
Best Sound for an Animated Short Film
Lost and Found
Ryan Granger – Supervising Sound Designer and Re-recording mixer
Adam Hunt – Sound designer and Re-recording mixer
Talia Raso – Assistant Sound Designer
Shane Jarvie-Kohn – Assistant Sound Designer
Best Sound for a Short Fiction Film
Nursery Rhymes
Thom Kellar – Sound Designer and Re-Recording Mixer
Lachlan Harris – Sound Designer
Sam Gain-Emery – Additional Dialogue Editor
Lee Kelly – Sound Recordist
Best Sound for Lifestyle, Reality or Live Television
Body Hack 2.0, Episode 3
Richard Boxhall – Location Sound
Damian Jory – Re-Recording Mixer
Best Sound for a Television Drama or Comedy Series – Under 30 Minutes
The Other Guy, Episode 5: Sri Lanka
Robert Mackay – Location Sound Recordist
Eren Sener – Boom Operator
Andy Wright – Re-recording Mixer and Sound Supervisor
Diego Ruiz – Re-Recording Mixer
Justine Angus – Dialogue and ADR Editor
Joe Mount – Effects Editor
Mario Vaccaro – Foley Artist
Michael Grisold – Foley Recordist
Best Sound for a Television Drama or Comedy Series – Over 30 Minutes
Riot
Chris Goodes – Sound Designer, Re-Recording Mixer and Sound Supervisor
Luke Millar – Sound Editor
Nick Emond – Sound Recordist
Diego Ruiz – Dialogue Editor
Sue Kerr – Boom Operator
Jack Rodrigues – 2nd Boom/Assistant
Mario Vaccaro – Foley Artist
Michael Grisold – Foley Recordist
Lee Yee – Foley Editor
Best Sound for Interactive Media
The Sir John Monash Centre
Nigel Christensen – Sound Designer, Sound Mixer and FX Recordist
Myles Wrigley – Sound Designer and Mixer
Brendon Kirk – Sound Designer and Mixer
Rajan Kamahl – Music Mixer
Matthew Winders – Assistant Dialogue Editor
Duncan Lowe – Group Loop Engineer
Louis Montgomery – Group Loop Engineer
John Simpson – Foley Artist
Lisa Simpson – Foley Recordist
Michael Ackroyd – Sound Assistant
Best Sound for a Documentary
Gurrumul
Simon Rosenberg – Dialogue Editor and Sound Supervisor
Pip Atherstone-Reid – Sound Recordist, Sound Designer and Re-Recording Engineer
Best Sound for a Children’s Television Programme
The New Legend of Monkey, Episode 1: Hope Must Never Die
Luke Mynott – Supervising Sound Editor
Wes Chew – Sound Supervisor
Melanie Graham – Sound Designer
Ian McLoughlin CAS – Re-Recording Mixer
Tom Herdman – Dialogue Editor
Cihan Saral – ADR Recordist and Editor
Dylan Barfield – Assistant Effects Editor
Julian Wessels – Assistant Sound Editor
Tania Vlassova – Sound Attachment
Blair Slater – Foley Supervisor
Dan Johnston – Foley Artist
Duncan McAllister -Foley Recordist
Miki Takahashi – Foley Editor
Luisa Bifulco – Foley Editor
Joshua James Smith – Kung Fu Foley Artist
Damian Chan – Kung Fu Foley Artist
Richard Flynn – Sound Recordist
Corrin Ellingford – Boom Operator
Jessy McNamara – Boom Operator
Best Film Sound Recording
Winchester
Gretchen Thornburn – Sound Recordist
Cam Eason – Boom Operator
Helen McGrath – Boom Operator
Ryan Squires – Foley Recordist
Best Film Sound Mixing
Winchester
Paul Pirola – Supervising Sound Editor & Re-Recording Mixer
Pete Smith – Re-Recording Mixer
Andrew Plain Award for Best Film Sound Editing
Peter Rabbit
Andy Wright – Supervising Sound Editor & Re-Recording Mixer
Robert Mackenzie – Supervising Sound Editor & Re-Recording Mixer
Ulrika Akander – ADR Supervisor (LA)
Mick Boraso – Effects Editor
Steve Burgess – Foley Editor
Adam Connelly – Foley Editor
Mark Franken – Supervising Dialogue and ADR Editor
Leah Katz – Dialogue & ADR Editor
Ines Richter – Assistant Sound Editor
Tim Ryan – Music Editor
Mia Stewart – Dialogue & ADR Editor
Mario Vaccaro – Foley Artist
Tara Webb – Effects Editor
Sherry Whitfield – Music Editor Consultant
&
Winchester
Paul Pirola – Supervising Sound Editor & Re-Recording Mixer
Ray Beentjes – Dialogue Editor
Helen Luttrell – ADR Editor
Hayden Collow – Sound Designer
Andrew Neil – Sound Effects Editor
Frank Lipson – Sound Effects Editor
Tom Heuzenroeder – Sound Effects Editor
Adrian Medhurst – Foley Artist
Troy Mauri – Foley Editor
Niels Gabriels – Foley Editor
Soundtrack of the Year
Winchester
Paul Pirola – Supervising Sound Editor & Re-Recording Mixer
Pete Smith – Re-Recording Mixer
Ray Beentjes – Dialogue Editor
Helen Luttrell – ADR Editor
Hayden Collow – Sound Designer
Andrew Neil – Sound Effects Editor
Frank Lipson – Sound Effects Editor
Tom Heuzenroeder – Sound Effects Editor
Adrian Medhurst – Foley Artist
Troy Mauri – Foley Editor
Niels Gabriels – Foley Editor
Gretchen Thornburn – Sound Recordist
Cam Eason – Boom Operator
Helen McGrath – Boom Operator
Ryan Squires – Foley Recordist
