The Australian Screen Sound Guild is pleased to announce the Feature nominees for the 2018 ASSG Awards.
Congratulations to all the nominees!
Best Film Sound Recording
Breath
Trevor Hope – Sound Recordist
Claire Healy – Boom Operator
Tim Ryan – ADR Mixer
Ryan Squires – Foley Recordist
Cargo
Des Kenneally – Sound Recordist
Nick Steele – Boom Operator
JB Williams – Boom Operator
Tobi Armbruster – Foley Recordist
John Simpson – Sound Effects Recordist
Evan McHugh – ADR Recordist
Peter Rabbit
Ben Osmo – Production Sound Mixer
Mark Appleby – ADR & Voice Recordist
Jake Chilcott – Boom Operator (UK)
Peter Davis – Location Sound Utility (UK)
Gary Dodkin – Location Sound Recordist (UK)
Alex Francis – Foley Recordist
Michael Grisold – Foley Recordist
Sue Kerr – Boom Operator
Gary Hamdon – Boom Operator
Aaron Hasson – ADR & Voice Recordist
Howard London – ADR & Voice Recordist
Jean McGrath- ADR & Voice Recordist
Evan McHugh – Score Engineer
Craig Beckett – Score Recordist
Rose Mackenzie-Peterson – Score Recordist
Liesl Pieterse- ADR & Voice Recordist
Brian Smith – ADR & Voice Recordist
Winchester
Gretchen Thornburn – Sound Recordist
Cam Eason – Boom Operator
Helen McGrath – Boom Operator
Ryan Squires – Foley Recordist
Best Film Sound Mixing
Breath
Robert MacKenzie – Supervising Sound Editor, Sound Designer & Re-recording Mixer
Glenn Humphries – Re-Recording Mixer
Cargo
Robert Sullivan – Sound Mixer
Peter Rabbit
Andy Wright – Supervising Sound Editor & Re-Recording Mixer
Robert Mackenzie – Supervising Sound Editor & Re-Recording Mixer
Kevin O Connell – Re-Recording Mixer
Al Clay – Score Mixer
Diego Ruiz – Re-Recording Assistant
Winchester
Paul Pirola – Supervising Sound Editor & Re-Recording Mixer
Pete Smith – Re-Recording Mixer
Andrew Plain Award for Best Film Sound Editing
Cargo
Liam Egan – Sound Designer
Leah Katz – Dialogue Editor
Tara Webb – Sound Effects Editor
Alicia Slusarski- Sound Effects Editor
Les Fiddess – Foley Supervisor, Foley Artist & Foley Editor
Renai Buchanan – Sound Attachment
Peter Rabbit
Andy Wright – Supervising Sound Editor & Re-Recording Mixer
Robert Mackenzie – Supervising Sound Editor & Re-Recording Mixer
Ulrika Akander – ADR Supervisor (LA)
Mick Boraso – Effects Editor
Steve Burgess – Foley Editor
Adam Connelly – Foley Editor
Mark Franken – Supervising Dialogue and ADR Editor
Leah Katz – Dialogue & ADR Editor
Ines Richter – Assistant Sound Editor
Tim Ryan – Music Editor
Mia Stewart – Dialogue & ADR Editor
Mario Vaccaro – Foley Artist
Tara Webb – Effects Editor
Sherry Whitfield – Music Editor Consultant
The Lego Ninjago Movie
Wayne Pashley, MPSE – Supervising Sound Editor, Sound Designer & Re-Recording Mixer
Fabian Sanjurjo – Supervising Sound Effects Editor
Beth Bezzina – Assistant Sound Supervisor
Sonal Joshi – Dialogue Editor
Derryn Pasquill- Dialogue Editor
Danielle Wiessner – Dialogue Editor
Rick Lisle – Sound Effects Editor
Andrew Miller – Sound Effects Editor
Mario Gabrieli – Sound Effects Editor
Terry Rodman – Sound Effects Editor
Nigel Christensen – Sound Effects Editor
F Hudson Miller – Sound Effects Editor
Linda Yeany – Assistant Sound Editor
Libby Villa – Post Production Sound Co-ordinator
John Simpson – Foley Artist
Ryan Squires – Foley Assistant
Emma Mitchell – Additional Sound Effects Editor
Jared Dwyer – Additional Sound Effects Editor
Paul Huntingford – Additional Sound Effects Editor
Ines Richter – Additional Sound Effects Editor
John Joseph Thomas – Additional Sound Effects Editor
Winchester
Paul Pirola – Supervising Sound Editor & Re-Recording Mixer
Ray Beentjes – Dialogue Editor
Helen Luttrell – ADR Editor
Hayden Collow – Sound Designer
Andrew Neil – Sound Effects Editor
Frank Lipson – Sound Effects Editor
Tom Heuzenroeder – Sound Effects Editor
Adrian Medhurst – Foley Artist
Troy Mauri – Foley Editor
Niels Gabriels – Foley Editor
