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Best Sound for an Animated Short Film

Age of Winter
Thom Kellar – Sound Designer
Hayden Riley – SFX Editor
John Pata – SFX Editor

Are You Still Watching?
Jennifer Leonforte – Supervising Sound Editor and Mixer
Lachlan Harris – SFX Editor
Tom David – VO Recording Engineer

Goodbye Home
Nigel Christensen, ASSG – Sound Designer and Mixer
Michael Ackroyd – SFX Editor
Rose Mackenzie – VO Recording Engineer
Nigel Croydon – Foley Walker
Dan Young – Foley Engineer

Under the Rose
Markus Kellow – Sound Designer, Composer & Mixer
Mark Hooper – Sound Designer

Best Sound for a Children’s Programme

Bluey – Episode 98
Dan Brumm – Sound Designer and Mixer

Daisy Quokka – World’s Scariest Animal
Ben Stewart – Sound Designer
Sam Gain-Emery – Mixer
Thom Kellar – Additional Sound Designer
Yasmin Amir-Hamzah – Sound Editor

Monkie Kid – Season 2, Episode 9
Alex Francis – Sound Designer
Simon Hicks – Re-recording Mixer
Chapman Chan – Dialogue Editor
Mark Mercado – Recording Engineer
Jonathan Abelardo – Recording Engineer
Sean Jacobson – Recording Engineer

The New Legends Of Monkey – Series 2, Episode 1
Luke Mynott – Supervising Sound Editor
Melanie Graham – Sound Designer
Wes Chew – Sound Supervisor
Michael Newton – Re-recording Mixer
Cihan Saral – Dialogue Editor and ADR Recordist
Tania Vlassova – SFX Editor
Julian Wessels – SFX Editor
Charlotte Perry – Sound Production Coordinator
Roxy Withers – Sound Production Assistant
Sam Rogers – Foley Artist
Ryan Squires – Foley Recordist & Editor
Richard Flynn – Production Sound Mixer
Kaveh Sharifian – Boom Operator
Carmen Ku – Location Sound Assistant
Dylan Barfield – SFX Editor

Best Sound for a Commercial or Promo

Dexus Day 1 – Industrial
Matthew Perrott, ASSG – Sound Designer

Hyundai Santa Fe – Little Angels
Timothy Bridge – Sound Designer & Mixer
Nat Joyce – Sound Designer
Josh Pearson – Music Mixer and Record Engineer

NRMA First Saturday
Sam Petty – Sound Designer & Mixer
Andy Wright – Re-recording Mixer

UN Women – When Will She Be Right?
Timothy Bridge – Sound Designer & Mixer
Nat Joyce – Sound Designer
Josh Pearson – SFX Editor

Best Sound for a Documentary (Over 60 Minutes)

Blind Ambition
Liam Egan – Supervising Sound Editor, Re-Recording Mixer, Sound Designer, Dialogue Editor & FX Editor

Firestarter – The Story of Bangarra
Angus Robertson, ASSG – Supervising Sound Editor, Dialogue Editor, ADR Editor & ADR Mixer
Tara Webb – Re-Recording Mixer, Sound Designer & SFX Editor
Leah Katz – Dialogue Editor
Jo Bursill – Location Sound Recordist
David Tranter – Location Sound Recordist
Adam Young – Location Sound Recordist
Joseph Levine – Location Sound Recordist
Dean Ganter – Location Sound Recordist
Daniel Borodin – Location Sound Recordist
Piotr Wasilewski – Location Sound Recordist
Gareth Lloyd Evans- Location Sound Recordist

Hating Peter Tatchell
Brendon Kirk – Sound Editor
William Ward – Sound Editor
Myles Wrigley – Sound Mixer
Thom Kellar – Sound Mixer

I’m Wanita
Luke Mynott – Supervising Sound Editor and Re-recording Mixer
Cihan Saral – Dialogue Editor and Re-recording Mixer
Wes Chew – Sound Supervisor and Foley Editor
Weronika Razna – Sound Effects Editor
Andrew Simmons – Foley Editor
Charlotte Perry – Sound Production Manager
Scott Blackley – Sound Recordist
Jay Kolmel – Sound Recordist
Mat Govoni – Sound Recordist
Jonathan Berguno – Sound Recordist
Daniel Zamanillo – Sound Recordist

My Name Is Gulpilil
Tom Heuzenroeder – Sound Designer & Composer
James Currie, ASSG – Sound Recordist
Duncan Campbell – Foley Recordist
Adrian Medhurst – Foley Artist
Sarah-Jane Rohrsheim – Additional Sound Recording

Television Event
Lachlan Harris – Sound Designer & Sound Mixer
Jennifer Leonforte – Sound Editor
Christina Chin – Sound Recordist
Todd Bauer – Sound Recordist
Austin Plocker – Sound Recordist
Brett Ulery – Sound Recordist
Matt Ritterpusch – Sound Recordist
Susan Bryant – Sound Recordist
Blair Johnson – Sound Recordist

Best Sound for a Documentary (Under 60 Minutes)

Icemen – 200 Years in Antarctica
Matthew Perrot ASSG – Sound Designer & Re-Recording Mixer

Inferno Without Borders
Steve J de Souza – Composer, Sound Designer, Dialogue Editor & Re-recording Mixer
Tom Truong – Sound Recordist

Life In Colour With David Attenborough – Episode 1
Wayne Pashley – Re-Recording Mixer
Libby Villa – Post Production Supervisor
Bill Rudolph – Sound Recordist
Richard Hill – Sound Recordist
Paul Fisher – Dubbing Editor
Jonathan Cawte – Foley Artist
Andy Devine – Foley Artist
Richard Hinton – Foley Artist
Brian Moseley – Additional Re-recording Mixer

Recorder Queen
Sophie Raymond – Sound Recordist
Jim Atkin – Sound Designer
Genevieve Lacey – Sound Producer
Jenni Aldred – Foley Artist & Sound Editor
Josh Walker – SFX Editor
Doron Kipen, ASSG – Dialogue Editor & Re-recording Mixer

Best Sound for a Drama or Comedy (Under 30 minutes)

Aftertaste – Series 1, Episode 5
Michael Darren – Sound Supervisor, Sound Designer & Re-Recording Mixer
Pete Smith – Dialogue Editor & Re-Recording Mixer
Joshua Williams – Sound Recordist
Leah Mckeown – Sound Editor
Adrian Medhurst – Foley Artist & Foley Editor
Ryan Squires – Foley Recordist & Foley Editor

The End – Episode 1
Luke Mynott – Sound Designer
Michael Newton – Re-recording Mixer
Wes Chew – Sound Supervisor
Cihan Saral – Dialogue Editor & ADR Recordist
Julian Wessels – SFX Editor
Dylan Barfield – SFX Editor
Weronika Razna – SFX Editor
Tania Vlassova – Assistant Sound Supervisor
Blair Slater – Foley Artist
Paul Brincat – Sound Recordist
Joshua ODonnell – Boom Operator
Ruth Vance – Cable and Second Boom Operator
Lesley Chambers – Sound Production Manager

Retrograde – Episode 1
Emma Bortignon, ASSG – Sound Designer
Tfer Newsome – Re-recording Mixer
Todd Shattock – Foley Engineer
Colin Swan – Sound Recordist
Nigel Croydon – Foley Walker
Sound Streaming Consultant – Patrick Telfer
Music Supervisor – Tyler McLoughlan

Best Sound for a Drama or Comedy (Over 30 minutes)

Bloom Season 2, Episode 1
Dean Ryan, ASSG – Sound Recordist
Mark Lavery – Boom Operator
Sophie Norfolk – Second Boom Operator
Luke Mynott – Supervising Sound Editor
Wes Chew – Supervising Sound Editor
Robert Sullivan – Re-Recording Mixer
Tom Herdman – Dialogue Editor
Liam Price – SFX Editor
Tania Vlassova – SFX Editor
John Simpson – Foley Recordist and Editor
Julian Wessels – ADR Recordist
Charlotte Perry – Sound Production Co-ordinator
Roxy Withers – Sound Production Assistant

Jack Irish Series 3 Episode 1
Stephen Witherow – Sound Supervisor & Re-recording Mixer
Todd Shattock – Sound Designer
Justin Lloyd – Dialogue Editor
John Wilkinson – Sound Recordist
Ben Faiman – Boom Operator
Lewis O’Brien – Boom Operator
Nigel Croyden – Foley Artist
Dan Young – Foley Recordist & Editor

Nine Perfect Strangers Episode 8
Craig Walmsley, ASSG – Production Sound Mixer
Andy Wright – Supervising Sound Editor
Diego Ruiz – Supervising Sound Editor
Michael Newton- Re-recording Mixer & SFX Editor
Mick Boraso – SFX Editor
Julian Wessels – SFX Editor
Beth Bezzina – Dialogue Editor
Megan Howieson – Foley Editor
Mario Vaccaro – Foley Artist
Alex Francis – Foley Recordist
Will Carroll – ADR Recordist
Stuart Morton – Music Editor
Jim Schultz – Music Editor
Rod Conder – Boom Operator
Matthew Ault – Boom Operator
Rachel Larkin – Sound Utility

Mr Inbetween – Season 3 Episode 9 “I’m Not Leaving”
Robert Mackenzie – Co-Sound Supervisor & Mixer
Tom Heuzenroeder – Co-Sound Supervisor & Mixer
Jed Dodge – Dialogue Editor & ADR Supervisor
Leah Katz – Dialogue Editor & ADR Supervisor
Adrian Medhurst – Foley Artist & Supervisor
Jessica Meier – Sound Assistant
Stuart Morton – SFX & Atmos Editor
Mick Boraso – SFX & Atmos Editor
Duncan Campbell – Foley Recordist
Ryan Squire – Foley Editor
Monica Anderson – RMS Producer
Nathaniel Watkins – Sound Recordist
Andy Duncan – Boom Operator
Piotr Wasilewski – Sound Assistant

Best Sound for Interactive Media

Jurassic World By Brickman
Marisa Marsionis – Sound Designer
William Ward – Sound Supervisor

Thin Ice VR
Carlos Manrique Clavijo – Supervising Sound Designer & Mixer
Michael -Fazz- Farrel – Location Sound Recordist
Christopher Larkin – Composer

You Will See Me
Lachlan Harris – Sound Designer

Windbound
Zander Hulme – Audio Lead
Anders Grønningsæter – Sound Designer
Sarah Ward – Sound Designer
Stewart Whiteley – Sound Designer

Best Sound for Lifestyle, Reality or Factual Entertainment

Big Weather – Into the Firestorm
Thom Kellar – Supervising Sound Editor
Sam Gain-Emery – Supervising Sound Editor
Lachlan Harris – Sound Designer
Seth Jackson – Sound Recordist
Glenn Finnan – Sound Recordist
James Henderson – Sound Recordist
Shane Munro – Sound Recordist
Alex Wilson – Sound Recordist
Ben Stewart – SFX Editor
Sam Lowe – Sound Editor
Yasmin Amir Hamzah – Sound Assistant

Farmer Wants a Wife – Season 11, Episode 1
Aaron Quirk – Head of Sound – Farms
Justin Flynn – Re-recording Mixer
Rohan Charlton – Audio Director – Events
Ian Cooper – Audio Director – Events

Outback Truckers – Season 9, Episode 10
Kim Lord – Sound Mixer
Benjamin Morris – SFX Editor

SAS Australia – Season 1, Episode 7
Philip Purcell – Re-recording Mixer
Simon Hicks – Dialogue Editor
Stuart Morton – SFX Editor
Stuart Morton – Sound Effects Editor
Dan Rossides – Location Audio Supervisor
Meg Barker – Location Audio Engineer
Adrian Lucy – Location Audio Engineer
Will Brincat – Location Audio Operator
Bronson Wilson – Location Audio Operator
Tom Cutting – Location Audio Operator

Best Sound for a Live-Action Short Film

Decommissioned
Thom Kellar – Sound Designer
Lachlan Harris – Sound Editor
Tristan Atkins – Sound Recordist

Giants
Timothy Bridge – Sound Designer & Mixer
Joe Mount – SFX Editor

This River
Lana Kristensen – Sound Designer
Sam Hayward – Re-Recording Mixer
Steve Nossiter – Sound Recordist
Florian Delain – Boom Operator
Craig Beckett – Foley Mixer
Les Fiddess – Foley Artist
Geir S Brillian – Music Mixer

Today
Markus Kellow – Sound Designer & Mixer
Leon Ross – Composer
Chris Clarke – Sound Recordist