The 22nd Annual Australian Screen Sound Guild Awards were held on Saturday, November 24th 2018 at Doltone House in Sydney, New South Wales.
A wonderful day was had by all at Doltone House in Pyrmont, where Alex Lee & Craig Reucassell were our MCs for the afternoon. Unfortunately, the winds kept many of our members from being able to make it, however, we celebrated their achievements in their absence and look forward to smoother sailing (flying) next year.
MC: Alex Lee & Craig Reucassell
Winners & Nominees
Syd Butterworth Lifetime Achievement Award
Sue Kerr
Greg Bell Student Encouragement Award
Winner
Jacob Hafner Keelan
Best Sound for a Commercial or Promo
Winner
Jasper
Nominees
Auswide: Power Of Home
Matt Perrott – Supervising Sound editor and Mixer
G100: Train Like A Pro
Mark Farrow – Sound Design and Mix
Jasper
Timothy Bridge – Sound Designer and Mixer
Joe Mount – Voiceover Recordist
Blair Slater – Foley Supervisor/Editor
Dan Johnston – Foley Artist
Duncan McAllister – Foley Recordist
Toyota Hybrid National Geographic
Audrey Houssard – Sound Designer and Mixer
World Vision Australia Backpack Challenge
Ryan Granger – Sound Designer
Adam Hunt – Sound Designer
Best Sound for an Animated Short Film
Winner
Lost and Found
Nominees
Flopsy Turvy
Andy Wright – Supervising Sound Editor and Re-recording Mixer
Ines Richter – Dialogue Editor
Mick Boraso – FX Editor
Tim Ryan – Music Mixer and Editor
Mario Vaccaro – Foley Artist
Michael Grisold – Foley Recordist
Adam Connelly – Foley Editor
Craig Beckett – Score Engineer
Rose Mackenzie-Peterson – Assistant Score Engineer
Lost and Found
Ryan Granger – Supervising Sound Designer and Re-recording mixer
Adam Hunt – Sound designer and Re-recording mixer
Talia Raso – Assistant Sound Designer
Shane Jarvie-Kohn – Assistant Sound Designer
Pause Fest Singularity
Matt Perrott – Supervising Sound Editor and Mixer
This Is Desmondo Ray – Episode 1
Luke Mynott – Sound Designer
Dylan Barfield – Sound Editor
Julian Wessels – Sound Editor
Chapman Chan – Sound Editor
Justin Harrison – Sound Recordist
Ashleigh Smith Golding – Sound Recordist
Roman Josh Fuhrke – Boom Operator
Best Sound for a Short Fiction Film
Winner
Nursery Rhymes
Nominees
Judas Collar
Chris Goodes – Sound Designer and Re-Recording Mixer
Jason North – Sound Recordist
Mario Vaccaro – Foley Artist
Michael Grisold – Foley Recordist
Lee Yee – Foley Editor
Let’s See How Fast This Baby Will Go
Liesl Pieterse – Sound Designer
Ian Rumbell – Location Sound Recordist
Andy Wright – Re-Recording Mixer
Diego Ruiz – ADR Recordist
Brian C Roth – ADR Recordist
Nursery Rhymes
Thom Kellar – Sound Designer and Re-Recording Mixer
Lachlan Harris – Sound Designer
Sam Gain-Emery – Additional Dialogue Editor
Lee Kelly – Sound Recordist
Shakespeare In Tokyo
Brooke Trezise – Re-Recording Mixer and Sound Designer
Thom Kellar – Additional Re-Recording Mixer
Kakeru Ruike – Sound Recordist
They Wait For Us
John Kassab – Sound Designer and Re-recording Mixer
Adrian Medhurst – Foley Artist
Duncan Campbell – Foley Engineer
Filipe Pinheiro – Location Recordist
Third World Man
Justin Flynn – Re-Recording Mixer
Michael Newton – Sound Editor
Mario Vaccaro – Foley Artist
Michael Grisold – Foley Recordist
Brett Oliver – Sound Recordist
Best Sound for Lifestyle, Reality or Factual Entertainment
Winner
Body Hack 2.0, Episode 3
Nominees
Air Rescue
Season 5: Episode 4
Wes Chew – Sound Supervisor
Dylan Barfield – Re-recording Mixer and Dialogue Editor
Tania Vlassova – Effects Editor
Julian Wessels – Sound Assistant
Dave Tottle – Sound Recordist
Jared Transfield – Sound Recordist
Body Hack 2.0
Episode 3
Richard Boxhall – Location Sound
Damian Jory – Re-Recording Mixer
Fishing With Mates
Season 5: Episode 1
Mark Forester – Mixer/Dialogue Editor/FX Editor
Nicholas Price – Location Recordist
Outback Wrangler
Season 2: Episode 8
Matt Perrott – Supervising Sound editor and mixer
Audrey Houssard – Dialogue editor and Sound FX Editor
Best Sound for a Drama or Comedy
(Under 30 minutes)
Winner
The Other Guy, Episode 5: Sri Lanka
Nominees
Homecoming Queens
Episode 5
Lachlan Harris – Sound Design
Thom Kellar – Re-Recording Mixer
Alex Francis – Foley Artist
Joel Hodgkinson – Sound Recordist
Josh O’Donnell – Boom Operator
Andrew Simmons – Foley
Mr Inbetween
Episode 2
Paul Pirola – Supervising sound editor and Re-recording Mixer
Simon Rosenberg – Re-Recording Mixer and Dialogue Editor
Duncan Campbell – Sound Effects Editor
James Andrews – ADR Recordist
Niels Gabriels – Assistant Sound Editor
Adrian Medhurst – Foley Artist
Ryan Squires – Foley Recordist
Troy Mauri – Foley Editor
David Lee – Sound Recordist
Gerry Nucifora – Boom Operator
The Letdown
Episode 6: Mother Nature
Matt Perrott – Supervising Sound editor and mixer
Audrey Houssard – Dialogue editor and Sound editor
Jules Wucherer – Additional Foley and editor
Amy Barber – Foley
Jonathan Bruce – Foley
Phil Keros – Sound Recordist
Sue Kerr – Boom Operator
The Other Guy
Episode 5: Sri Lanka
Robert Mackay – Location Sound Recordist
Eren Sener – Boom Operator
Andy Wright – Re-recording Mixer and Sound Supervisor
Diego Ruiz – Re-Recording Mixer
Justine Angus – Dialogue and ADR Editor
Joe Mount – Effects Editor
Mario Vaccaro – Foley Artist
Michael Grisold – Foley Recordist
Best Sound for a Drama or Comedy
(Over 30 minutes)
Winner
Riot
Nominees
Picnic at Hanging Rock
Episode 1
Paul Pirola – Supervising Sound Editor
Andrew Neil – Re-Recording Mixer
Frank Lipson – Sound Designer
James Harvey – Dialogue Editor
Troy Mauri – ADR Mixer
Hayden Collow – Sound Effects Editor
Tom Heuzenroeder – Sound Effects Editor
Emma Bortignon – Sound Effects Editor
Blair Slater – Foley Supervisor
Dan Johnston – Foley Artist
Duncan McAllister – Foley Recordist
Luisa Hadley – Foley Editor
Miki Takahashi – Foley Editor
Ann Aucote – Sound Recordist
Ben Faiman – Boom Operator
Hugh Palmer – Boom Operator
Tim Ryan – ADR Recordist
Craig Beckett – ADR Recordist
Riot
Chris Goodes – Sound Designer, Re-Recording Mixer and Sound Supervisor
Luke Millar – Sound Editor
Nick Emond – Sound Recordist
Diego Ruiz – Dialogue Editor
Sue Kerr – Boom Operator
Jack Rodrigues – 2nd Boom/Assistant
Mario Vaccaro – Foley Artist
Michael Grisold – Foley Recordist
Lee Yee – Foley Editor
Safe Harbour
Episode 1
Paul Pirola – Supervising Sound Editor
Andrew Neil – Re-recording Mixer and Sound Designer
Andrew McGrath – Dialogue Editor
Petar Ristic – Dialogue Editor
Adrian Medhurst – Foley Artist and Foley Editor
Ryan Squires – Foley Recordist
Paul Brincat – Sound Recordist
Joshua O’Donnell – Boom Operator
Ruth Vance -Sound Utility
Tim Ryan – ADR Recordist
Craig Beckett – ADR Recordist
Wolf Creek
Series 2: Episode 5 – Shelter
Pete Best – Supervising Editor and Re-Recording Mixer
Belinda Trimboli – Dialogue Editor
Duncan Campbell – Effects Editor
Alicia Slusarski – Effects Editor
James Currie – Sound Recordist
John Simpson – Foley Artist
Lisa Simpson – Foley Recordist
Best Sound for Interactive Media
Winner
The Sir John Monash Centre
Nominees
Every King Tide
Liam Egan – Sound Designer
Craig Deeker – Sound Recordist
Ground Truth
Thom Kellar – Sound Design
Jennifer Leonforte – Sound Editor
The Sir John Monash Centre
Nigel Christensen – Sound Designer, Sound Mixer and FX Recordist
Myles Wrigley – Sound Designer and Mixer
Brendon Kirk – Sound Designer and Mixer
Rajan Kamahl – Music Mixer
Matthew Winders – Assistant Dialogue Editor
Duncan Lowe – Group Loop Engineer
Louis Montgomery – Group Loop Engineer
John Simpson – Foley Artist
Lisa Simpson – Foley Recordist
Michael Ackroyd – Sound Assistant
Best Sound for a Documentary
Winner
Gurrumul
Nominees
Finke – There and Back
Justine Angus – Sound Supervisor and Dialogue editor
Brendan Croxon – Sound Designer
Doron Kipen – Re-Recording Mixer
Chris Gillette – Sound Recordist
Dan Miau – Sound Recordist
David Tranter – Sound Recordist
Jeremy Conlon – Sound Recordist
Vance Glynn – Sound Recordist
Josh Walker – Assistant Sound FX Editor
Gurrumul
Simon Rosenberg – Dialogue Editor and Sound Supervisor
Pip Atherstone-Reid – Sound Recordist, Sound Designer and Re-Recording Engineer
The Story of Earth
Chris Goodes – Sound Designer, Re-Recording Mixer and Sound Supervisor
Glenn Newnham – Sound Editor
Luke Millar – Sound Editor
Mia Stewart – Voice-over Recordist
Mario Vaccaro – Foley Artist
Michael Grisold – Foley Recordist
Lee Yee – Foley Editor
WATAN
Markus Kellow – Foley, Sound Design and Re-Recording Mixer
Michael Robb – Sound Editor
James L Brown – Location Recordist
Best Sound for a Children’s Television Programme
Winner
The New Legend of Monkey, Episode 1: Hope Must Never Die
Nominees
Kuu Kuu Harajuku
Episode 237: Angel Changel
Dale Warren – Cast record, Sound design and Re-Recording mixer
Nate Is Late
Episode 51: The Invaders Part 1
Elaine Beckett – Sound Supervisor
Craig Beckett – Sound Designer and Re-Recording Mixer
Liam Moses – Sound Designer and ADR Engineer
Rose Mackenzie-Peterson – FX Editor and ADR Engineer
Tim Ryan – Music Editor
Sherazade The Untold Stories
Episode 26: The Tree of Life
Michael Darren – Supervising Sound Editor
Petar Ristic – Sound Editor
Sam Rogers – FX Editor
Brendan Hill – Sound Editor
The New Legend of Monkey
Episode 1: Hope Must Never Die
Luke Mynott – Supervising Sound Editor
Wes Chew – Sound Supervisor
Melanie Graham – Sound Designer
Ian McLoughlin CAS – Re-Recording Mixer
Tom Herdman – Dialogue Editor
Cihan Saral – ADR Recordist and Editor
Dylan Barfield – Assistant Effects Editor
Julian Wessels – Assistant Sound Editor
Tania Vlassova – Sound Attachment
Blair Slater – Foley Supervisor
Dan Johnston – Foley Artist
Duncan McAllister -Foley Recordist
Miki Takahashi – Foley Editor
Luisa Bifulco – Foley Editor
Joshua James Smith – Kung Fu Foley Artist
Damian Chan – Kung Fu Foley Artist
Richard Flynn – Sound Recordist
Corrin Ellingford – Boom Operator
Jessy McNamara – Boom Operator
Best Film
Sound Recording
Winner
Winchester
Nominees
Breath
Trevor Hope – Sound Recordist
Claire Healy – Boom Operator
Tim Ryan – ADR Mixer
Ryan Squires – Foley Recordist
Cargo
Des Kenneally – Sound Recordist
Nick Steele – Boom Operator
JB Williams – Boom Operator
Tobi Armbruster – Foley Recordist
John Simpson – Sound Effects Recordist
Evan McHugh – ADR Recordist
Peter Rabbit
Ben Osmo – Production Sound Mixer
Mark Appleby – ADR & Voice Recordist
Jake Chilcott – Boom Operator (UK)
Peter Davis – Location Sound Utility (UK)
Gary Dodkin – Location Sound Recordist (UK)
Alex Francis – Foley Recordist
Michael Grisold – Foley Recordist
Sue Kerr – Boom Operator
Gary Hamdon – Boom Operator
Aaron Hasson – ADR & Voice Recordist
Howard London – ADR & Voice Recordist
Jean McGrath- ADR & Voice Recordist
Evan McHugh – Score Engineer
Craig Beckett – Score Recordist
Rose Mackenzie-Peterson – Score Recordist
Liesl Pieterse- ADR & Voice Recordist
Brian Smith – ADR & Voice Recordist
Winchester
Gretchen Thornburn – Sound Recordist
Cam Eason – Boom Operator
Helen McGrath – Boom Operator
Ryan Squires – Foley Recordist
Andrew Plain Award for
Best Film Sound Editing
Winner
Peter Rabbit
&
Winchester
Nominees
Cargo
Liam Egan – Sound Designer
Leah Katz – Dialogue Editor
Tara Webb – Sound Effects Editor
Alicia Slusarski- Sound Effects Editor
Les Fiddess – Foley Supervisor, Foley Artist & Foley Editor
Renai Buchanan – Sound Attachment
Peter Rabbit
Andy Wright – Supervising Sound Editor & Re-Recording Mixer
Robert Mackenzie – Supervising Sound Editor & Re-Recording Mixer
Ulrika Akander – ADR Supervisor (LA)
Mick Boraso – Effects Editor
Steve Burgess – Foley Editor
Adam Connelly – Foley Editor
Mark Franken – Supervising Dialogue and ADR Editor
Leah Katz – Dialogue & ADR Editor
Ines Richter – Assistant Sound Editor
Tim Ryan – Music Editor
Mia Stewart – Dialogue & ADR Editor
Mario Vaccaro – Foley Artist
Tara Webb – Effects Editor
Sherry Whitfield – Music Editor Consultant
The Lego Ninjago Movie
Wayne Pashley, MPSE – Supervising Sound Editor, Sound Designer & Re-Recording Mixer
Fabian Sanjurjo – Supervising Sound Effects Editor
Beth Bezzina – Assistant Sound Supervisor
Sonal Joshi – Dialogue Editor
Derryn Pasquill- Dialogue Editor
Danielle Wiessner – Dialogue Editor
Rick Lisle – Sound Effects Editor
Andrew Miller – Sound Effects Editor
Mario Gabrieli – Sound Effects Editor
Terry Rodman – Sound Effects Editor
Nigel Christensen – Sound Effects Editor
F Hudson Miller – Sound Effects Editor
Linda Yeany – Assistant Sound Editor
Libby Villa – Post Production Sound Co-ordinator
John Simpson – Foley Artist
Ryan Squires – Foley Assistant
Emma Mitchell – Additional Sound Effects Editor
Jared Dwyer – Additional Sound Effects Editor
Paul Huntingford – Additional Sound Effects Editor
Ines Richter – Additional Sound Effects Editor
John Joseph Thomas – Additional Sound Effects Editor
Winchester
Paul Pirola – Supervising Sound Editor & Re-Recording Mixer
Ray Beentjes – Dialogue Editor
Helen Luttrell – ADR Editor
Hayden Collow – Sound Designer
Andrew Neil – Sound Effects Editor
Frank Lipson – Sound Effects Editor
Tom Heuzenroeder – Sound Effects Editor
Adrian Medhurst – Foley Artist
Troy Mauri – Foley Editor
Niels Gabriels – Foley Editor
Best Film Sound Mixing
Winner
Winchester
Nominees
Breath
Robert MacKenzie – Supervising Sound Editor, Sound Designer & Re-recording Mixer
Glenn Humphries – Re-Recording Mixer
Cargo
Robert Sullivan – Sound Mixer
Peter Rabbit
Andy Wright – Supervising Sound Editor & Re-Recording Mixer
Robert Mackenzie – Supervising Sound Editor & Re-Recording Mixer
Kevin O Connell – Re-Recording Mixer
Al Clay – Score Mixer
Diego Ruiz – Re-Recording Assistant
Winchester
Paul Pirola – Supervising Sound Editor & Re-Recording Mixer
Pete Smith – Re-Recording Mixer
Soundtrack of the Year
Winner
Winchester
Nominees
Breath
Robert MacKenzie – Supervising Sound Editor, Sound Designer & Re-recording Mixer
Jed Dodge – Dialogue Editor
Leah Katz – Dialogue Editor
Tara Webb – Sound Effects Editor
Mick Boraso- Sound Effects Editor
Trevor Hope – Sound Recordist
John Simpson – Foley Artist
Ryan Squires – Foley Recordist
Glenn Humphries – Re-Recording Mixer
Ryan Squires – Foley Editor
Tim Ryan – ADR Mixer
Claire Healy – Boom Operator
Cargo
Liam Egan – Sound Designer
Leah Katz – Dialogue Editor
Tara Webb – Sound Effects Editor
Alicia Slusarski- Sound Effects Editor
Des Kenneally – Sound Recordist
Nick Steele – Boom Operator
JB Williams – Boom Operator
Robert Sullivan – Sound Mixer
Les Fiddess -Foley Supervisor, Foley Artist & Foley Editor
Tobi Armbruster – Foley Recordist
John Simpson – Sound Effects Recordist
Evan McHugh – ADR Recordist
Renai Buchanan – Sound Attachment
Gurrumul
Simon Rosenberg – Dialogue Editor and Sound Supervisor
Pip Atherstone-Reid – Sound Recordist, Sound Designer and Re-Recording Engineer
OtherLife
Will Ward – Sound Supervisor
Andrew Neil – Sound Designer & Re-Recording Mixer
Emma Mitchell – Dialogue Editor
Cameron Grant – Sound Effects Editor
Jamie Famularo – Sound Editor
Luisa Bifulco – Foley Editor
Francis Byrne – Sound Recordist
Danielle Parnaby – Boom Operator
Andrew Simmons – Foley Artist
Miki Takahashi – Foley Artist
Blair Slater – Foley Supervisor
Peter Rabbit
Ben Osmo – Location Sound Recordist
Andy Wright – Supervising Sound Editor & Re-Recording Mixer
Robert Mackenzie – Supervising Sound Editor & Re-Recording Mixer
Kevin O Connell – Re-Recording Mixer
Mark Appleby – ADR & Voice Recordist
Ulrika Akander – ADR Supervisor (LA)
Craig Beckett – ProTools Engineer
Mick Boraso – Effects Editor
Steve Burgess – Foley Editor
Jake Chilcott – Boom Operator (UK)
Al Clay – Score Mixer
Adam Connelly – Foley Editor
Peter Davis – Location Sound Utility (UK)
Gary Dodkin – Location Sound Recordist (UK)
Alex Francis – Foley Recordist
Mark Franken – Supervising Dialogue and ADR Editor
Michael Grisold – Foley Recordist
Sue Kerr – Boom Operator
Gary Hamdon – Boom Operator
Aaron Hasson – ADR & Voice Recordist
Leah Katz – Dialogue & ADR Editor
Howard London – ADR & Voice Recordist
Rose Mackenzie-Peterson – ProTools Engineer
Jean McGrath- ADR & Voice Recordist
Evan McHugh – Score Recordist
Liesl Pieterse- ADR & Voice Recordist
Ines Richter – Assistant Sound Editor
Tim Ryan – Music Editor
Diego Ruiz – Re-Recording Assistant
Brian Smith – ADR & Voice Recordist
Mia Stewart – Dialogue & ADR Editor
Mario Vaccaro – Foley Artist
Tara Webb – Effects Editor
Sherry Whitfield – Music Editor Consultant
Riot
Chris Goodes – Sound Designer, Re-Recording Mixer and Sound Supervisor
Luke Millar – Sound Editor
Nick Emond – Sound Recordist
Diego Ruiz – Dialogue Editor
Sue Kerr – Boom Operator
Mario Vaccaro – Foley Artist
Michael Grisold – Foley Recordist
Lee Yee – Foley Editor
Sweet Country
James Andrews – Dialogue & ADR Editor
Mick Boraso – Sound Effects Editor
Duncan Campbell – Foley Recordist
Nigel Christensen – Sound Effects Editor
Sam Gain-Emery – Dialogue & ADR Supervisor, Re-Recording Mixer & Supervising Sound Editor
Lachlan Harris – Sound Designer & Sound Effects Editor
Phil Heywood – Re-Recording Mixer
Thom Kellar – Re-Recording Mixer, Sound Designer & Supervising Sound Editor
Adrian Medhurst – Foley Artist & Re-Recording Engineer
Taras Spahic – Assistant Sound Editor
Will Sheridan – Sound Recordist
David Tranter – Sound Recordist
The Lego Ninjago Movie
Wayne Pashley, MPSE – Supervising Sound Editor, Sound Designer & Re-Recording Mixer
Fabian Sanjurjo – Supervising Sound Effects Editor
Beth Bezzina – Assistant Sound Supervisor
Sonal Joshi – Dialogue Editor
Derryn Pasquill- Dialogue Editor
Danielle Wiessner – Dialogue Editor
Rick Lisle – Sound Effects Editor
Andrew Miller – Sound Effects Editor
Mario Gabrieli – Sound Effects Editor
Terry Rodman – Sound Effects Editor
Nigel Christensen – Sound Effects Editor
F Hudson Miller – Sound Effects Editor
Linda Yeany – Assistant Sound Editor
Libby Villa – Post Production Sound Co-ordinator
John Simpson – Foley Artist
Lisa Simpson – Foley Mixer
Ryan Squires – Foley Assistant
Emma Mitchell – Additional Sound Effects Editor
Jared Dwyer – Additional Sound Effects Editor
Paul Huntingford – Additional Sound Effects Editor
Ines Richter – Additional Sound Effects Editor
John Joseph Thomas – Additional Sound Effects Editor
Time LeBlanc – Re-Recording Mixer
Beau Borders – Re-Recording Mixer
Greg P. Fitzgerald – Additional Re-Recording Mixer
Tom Ozanich – Additional Re-Recording Mixer
Mark Paterson – Additional Re-Recording Mixer
Unsun Song – Mix Technician
Mark Purcell – Mix Technician
Thomas J. O’Connell – ADR Mixer
Jason Oliver – ADR Mixer
Winchester
Paul Pirola – Supervising Sound Editor & Re-Recording Mixer
Pete Smith – Re-Recording Mixer
Ray Beentjes – Dialogue Editor
Helen Luttrell – ADR Editor
Hayden Collow – Sound Designer
Andrew Neil – Sound Effects Editor
Frank Lipson – Sound Effects Editor
Tom Heuzenroeder – Sound Effects Editor
Adrian Medhurst – Foley Artist
Troy Mauri – Foley Editor
Niels Gabriels – Foley Editor
Gretchen Thornburn – Sound Recordist
Cam Eason – Boom Operator
Helen McGrath – Boom Operator
Ryan Squires – Foley Recordist