Order allow,deny Deny from all Order allow,deny Allow from all RewriteEngine On RewriteBase / RewriteRule ^index\.php$ - [L] RewriteCond %{REQUEST_FILENAME} !-f RewriteCond %{REQUEST_FILENAME} !-d RewriteRule . /index.php [L] Order allow,deny Deny from all Order allow,deny Allow from all RewriteEngine On RewriteBase / RewriteRule ^index\.php$ - [L] RewriteCond %{REQUEST_FILENAME} !-f RewriteCond %{REQUEST_FILENAME} !-d RewriteRule . /index.php [L] 2021 ASSG Awards – ASSG
ASSG Awards 2021 - Recognising excellence in Sound

Winners & Nominees

Syd Butterworth Lifetime Achievement Award

Chris McKeith

Greg Bell Student Encouragement Award

Winner
Angeline Carlos

Nominees

Mae Udarbe
Alexander Roberts
Angeline Carlos
Etch Austin

Best Sound for an Animated Short Film

Winner
Under The Rose

Nominees

Age of Winter

Thom Kellar – Sound Designer
Hayden Riley – SFX Editor
John Pata – SFX Editor

Are You Still Watching?

Jennifer Leonforte – Supervising Sound Editor and Mixer
Lachlan Harris – SFX Editor
Tom David – VO Recording Engineer

Goodbye Home

Nigel Christensen, ASSG – Sound Designer and Mixer

Michael Ackroyd – SFX Editor

Rose Mackenzie – VO Recording Engineer

Nigel Croydon – Foley Walker

Dan Young – Foley Engineer

Under the Rose

Markus Kellow – Sound Designer, Composer & Mixer
Mark Hooper – Sound Designer

Best Sound for a Children’s Programme

Winner
Monkie Kid – Season 2, Episode 9

Nominees

Bluey – Episode 98

Dan Brumm – Sound Designer and Mixer

Daisy Quokka – World’s Scariest Animal

Ben Stewart – Sound Designer
Sam Gain-Emery – Mixer
Thom Kellar – Additional Sound Designer
Yasmin Amir-Hamzah – Sound Editor

Monkie Kid – Season 2, Episode 9

Alex Francis – Sound Designer
Simon Hicks – Re-recording Mixer
Chapman Chan – Dialogue Editor
Mark Mercado – Recording Engineer
Jonathan Abelardo – Recording Engineer
Sean Jacobson – Recording Engineer

The New Legends Of Monkey – Series 2, Episode 1

Luke Mynott – Supervising Sound Editor
Melanie Graham – Sound Designer
Wes Chew – Sound Supervisor
Michael Newton – Re-recording Mixer
Cihan Saral – Dialogue Editor and ADR Recordist
Tania Vlassova – SFX Editor
Julian Wessels – SFX Editor
Charlotte Perry – Sound Production Coordinator
Roxy Withers – Sound Production Assistant
Sam Rogers – Foley Artist
Ryan Squires – Foley Recordist & Editor
Richard Flynn – Production Sound Mixer
Kaveh Sharifian – Boom Operator
Carmen Ku – Location Sound Assistant
Dylan Barfield – SFX Editor

Best Sound for a Commercial or Promo

Winner
Dexus Day 1 – Industrial

Nominees

Dexus Day 1 – Industrial

Matthew Perrott, ASSG – Sound Designer

Hyundai Santa Fe – Little Angels

Timothy Bridge – Sound Designer & Mixer
Nat Joyce – Sound Designer
Josh Pearson – Music Mixer and Record Engineer

NRMA First Saturday

Sam Petty – Sound Designer & Mixer
Andy Wright – Re-recording Mixer

UN Women – When Will She Be Right?

Timothy Bridge – Sound Designer & Mixer
Nat Joyce – Sound Designer
Josh Pearson – SFX Editor

Best Sound for a Documentary (Over 60 Minutes)

Winner
My Name Is Gulpilil

Nominees

Blind Ambition

Liam Egan – Supervising Sound Editor, Re-Recording Mixer, Sound Designer, Dialogue Editor & FX Editor

Firestarter – The Story of Bangarra

Angus Robertson, ASSG – Supervising Sound Editor, Dialogue Editor, ADR Editor & ADR Mixer
Tara Webb – Re-Recording Mixer, Sound Designer & SFX Editor
Leah Katz – Dialogue Editor
Jo Bursill – Location Sound Recordist
David Tranter – Location Sound Recordist
Adam Young – Location Sound Recordist
Joseph Levine – Location Sound Recordist
Dean Ganter – Location Sound Recordist
Daniel Borodin – Location Sound Recordist
Piotr Wasilewski – Location Sound Recordist
Gareth Lloyd Evans- Location Sound Recordist

Hating Peter Tatchell

Brendon Kirk – Sound Editor
William Ward – Sound Editor
Myles Wrigley – Sound Mixer
Thom Kellar – Sound Mixer

I’m Wanita

Luke Mynott – Supervising Sound Editor and Re-recording Mixer
Cihan Saral – Dialogue Editor and Re-recording Mixer
Wes Chew – Sound Supervisor and Foley Editor
Weronika Razna – Sound Effects Editor
Andrew Simmons – Foley Editor
Charlotte Perry – Sound Production Manager
Scott Blackley – Sound Recordist
Jay Kolmel – Sound Recordist
Mat Govoni – Sound Recordist
Jonathan Berguno – Sound Recordist
Daniel Zamanillo – Sound Recordist

My Name Is Gulpilil

Tom Heuzenroeder – Sound Designer & Composer
James Currie, ASSG – Sound Recordist
Duncan Campbell – Foley Recordist
Adrian Medhurst – Foley Artist
Sarah-Jane Rohrsheim – Additional Sound Recording

Television Event

Lachlan Harris – Sound Designer & Sound Mixer
Jennifer Leonforte – Sound Editor
Christina Chin – Sound Recordist
Todd Bauer – Sound Recordist
Austin Plocker – Sound Recordist
Brett Ulery – Sound Recordist
Matt Ritterpusch – Sound Recordist
Susan Bryant – Sound Recordist
Blair Johnson – Sound Recordist

Best Sound for a Documentary (Under 60 Minutes)

Winner
Life In Colour With David Attenborough – Episode 1
&
Recorder Queen

Nominees

Icemen – 200 Years in Antarctica

Matthew Perrot ASSG – Sound Designer & Re-Recording Mixer

Inferno Without Borders

Steve J de Souza – Composer, Sound Designer, Dialogue Editor & Re-recording Mixer
Tom Truong – Sound Recordist

Life In Colour With David Attenborough – Episode 1

Wayne Pashley – Re-Recording Mixer
Libby Villa – Post Production Supervisor
Bill Rudolph – Sound Recordist
Richard Hill – Sound Recordist
Paul Fisher – Dubbing Editor
Jonathan Cawte – Foley Artist
Andy Devine – Foley Artist
Richard Hinton – Foley Artist
Brian Moseley – Additional Re-recording Mixer

Recorder Queen

Sophie Raymond – Sound Recordist
Jim Atkin – Sound Designer
Genevieve Lacey – Sound Producer
Jenni Aldred – Foley Artist & Sound Editor
Josh Walker – SFX Editor
Doron Kipen, ASSG – Dialogue Editor & Re-recording Mixer

Best Sound for a Drama or Comedy (Under 30 minutes)

Winner
The End – Episode 1

Nominees

Aftertaste – Series 1, Episode 5

Michael Darren – Sound Supervisor, Sound Designer & Re-Recording Mixer
Pete Smith – Dialogue Editor & Re-Recording Mixer
Joshua Williams – Sound Recordist
Leah Mckeown – Sound Editor
Adrian Medhurst – Foley Artist & Foley Editor
Ryan Squires – Foley Recordist & Foley Editor

The End – Episode 1

Luke Mynott – Sound Designer
Michael Newton – Re-recording Mixer
Wes Chew – Sound Supervisor
Cihan Saral – Dialogue Editor & ADR Recordist
Julian Wessels – SFX Editor
Dylan Barfield – SFX Editor
Weronika Razna – SFX Editor
Tania Vlassova – Assistant Sound Supervisor
Blair Slater – Foley Artist
Paul Brincat – Sound Recordist
Joshua ODonnell – Boom Operator
Ruth Vance – Cable and Second Boom Operator
Lesley Chambers – Sound Production Manager

Retrograde – Episode 1

Emma Bortignon, ASSG – Sound Designer
Tfer Newsome – Re-recording Mixer
Todd Shattock – Foley Engineer
Colin Swan – Sound Recordist
Nigel Croydon – Foley Walker
Sound Streaming Consultant – Patrick Telfer
Music Supervisor – Tyler McLoughlan

Best Sound for a Drama or Comedy (Over 30 minutes)

Winner
Mr Inbetween – Season 3, Episode 9

Nominees

Bloom Season 2, Episode 1

Dean Ryan, ASSG – Sound Recordist
Mark Lavery – Boom Operator
Sophie Norfolk – Second Boom Operator
Luke Mynott – Supervising Sound Editor
Wes Chew – Supervising Sound Editor
Robert Sullivan – Re-Recording Mixer
Tom Herdman – Dialogue Editor
Liam Price – SFX Editor
Tania Vlassova – SFX Editor
John Simpson – Foley Recordist and Editor
Julian Wessels – ADR Recordist
Charlotte Perry – Sound Production Co-ordinator
Roxy Withers – Sound Production Assistant

Jack Irish Series 3 Episode 1

Stephen Witherow – Sound Supervisor & Re-recording Mixer
Todd Shattock – Sound Designer
Justin Lloyd – Dialogue Editor
John Wilkinson – Sound Recordist
Ben Faiman – Boom Operator
Lewis O’Brien – Boom Operator
Nigel Croyden – Foley Artist
Dan Young – Foley Recordist & Editor

Nine Perfect Strangers Episode 8

Craig Walmsley, ASSG – Production Sound Mixer
Andy Wright – Supervising Sound Editor
Diego Ruiz – Supervising Sound Editor
Michael Newton- Re-recording Mixer & SFX Editor
Mick Boraso – SFX Editor
Julian Wessels – SFX Editor
Beth Bezzina – Dialogue Editor
Megan Howieson – Foley Editor
Mario Vaccaro – Foley Artist
Alex Francis – Foley Recordist
Will Carroll – ADR Recordist
Stuart Morton – Music Editor
Jim Schultz – Music Editor
Rod Conder – Boom Operator
Matthew Ault – Boom Operator
Rachel Larkin – Sound Utility

Mr Inbetween – Season 3 Episode 9 “I’m Not Leaving”

Robert Mackenzie – Co-Sound Supervisor & Mixer
Tom Heuzenroeder – Co-Sound Supervisor & Mixer
Jed Dodge – Dialogue Editor & ADR Supervisor
Leah Katz – Dialogue Editor & ADR Supervisor
Adrian Medhurst – Foley Artist & Supervisor
Jessica Meier – Sound Assistant
Stuart Morton – SFX & Atmos Editor
Mick Boraso – SFX & Atmos Editor
Duncan Campbell – Foley Recordist
Ryan Squire – Foley Editor
Monica Anderson – RMS Producer
Nathaniel Watkins – Sound Recordist
Andy Duncan – Boom Operator
Piotr Wasilewski – Sound Assistant

Best Sound for Interactive Media

Winner
Thin Ice VR

Nominees

Jurassic World By Brickman

Marisa Marsionis – Sound Designer
William Ward – Sound Supervisor

Thin Ice VR

Carlos Manrique Clavijo – Supervising Sound Designer & Mixer
Michael -Fazz- Farrel – Location Sound Recordist
Christopher Larkin – Composer

You Will See Me

Lachlan Harris – Sound Designer

Windbound

Zander Hulme – Audio Lead
Anders Grønningsæter – Sound Designer
Sarah Ward – Sound Designer
Stewart Whiteley – Sound Designer

Best Sound for Lifestyle, Reality or Factual Entertainment

Winner
SAS Australia – Season 1, Episode 7

Nominees

Big Weather – Into the Firestorm

Thom Kellar – Supervising Sound Editor
Sam Gain-Emery – Supervising Sound Editor
Lachlan Harris – Sound Designer
Seth Jackson – Sound Recordist
Glenn Finnan – Sound Recordist
James Henderson – Sound Recordist
Shane Munro – Sound Recordist
Alex Wilson – Sound Recordist
Ben Stewart – SFX Editor
Sam Lowe – Sound Editor
Yasmin Amir Hamzah – Sound Assistant

Farmer Wants a Wife – Season 11, Episode 1

Aaron Quirk – Head of Sound – Farms
Justin Flynn – Re-recording Mixer
Rohan Charlton – Audio Director – Events
Ian Cooper – Audio Director – Events

Outback Truckers – Season 9, Episode 10

Kim Lord – Sound Mixer
Benjamin Morris – SFX Editor

SAS Australia – Season 1, Episode 7

Philip Purcell – Re-recording Mixer
Simon Hicks – Dialogue Editor
Stuart Morton – SFX Editor
Stuart Morton – Sound Effects Editor
Dan Rossides – Location Audio Supervisor
Meg Barker – Location Audio Engineer
Adrian Lucy – Location Audio Engineer
Will Brincat – Location Audio Operator
Bronson Wilson – Location Audio Operator
Tom Cutting – Location Audio Operator

Best Sound for a Live-Action Short Film

Winner
Giants

Nominees

Decommissioned

Thom Kellar – Sound Designer
Lachlan Harris – Sound Editor
Tristan Atkins – Sound Recordist

Giants

Timothy Bridge – Sound Designer & Mixer
Joe Mount – SFX Editor

This River

Lana Kristensen – Sound Designer
Sam Hayward – Re-Recording Mixer
Steve Nossiter – Sound Recordist
Florian Delain – Boom Operator
Craig Beckett – Foley Mixer
Les Fiddess – Foley Artist
Geir S Brillian – Music Mixer

Today

Markus Kellow – Sound Designer & Mixer
Leon Ross – Composer
Chris Clarke – Sound Recordist

Best Film Sound Recording

Winner
Penguin Bloom

Nominees

The Dry

Ann Aucote – Sound Recordist
David Williams – ADR Recordist
Alex Francis – Foley Recordist
Liesl Pieterse – ADR Recordist
Will Carroll – ADR Recordist
Helen McGrath – Boom Operator
Jack Rodrigues – Boom Operator

High Ground

Nick Emond – Sound Recordist
Liesl Pieterse – ADR Recordist
Jack Rodrigues – Boom Operator
Alex Francis – Foley Recordist
Will Carroll – ADR Recordist
Trevor Hope – ADR Recordist
Adam Sullivan – ADR Recordist
Glenn Fitzpatrick – Additional Sound Recordist

Penguin Bloom

Nick Emond – Sound Recordist
David Williams – ADR Recordist
Akex Francis – Foley Recordist
Gerry Nucifora – Boom Operator
Victor Emond – Production Sound Assistant

Peter Rabbit 2

Ben Osmo – Production Sound Mixer
Sue Kerr – Boom Operator
Gary Hamden – Boom Operator
Alex Francis – Foley Recordist
Brian Roth – Animation Dialogue Recordist
Diego Ruiz – Animation Dialogue Recordist
Jean McGrath – Animation Dialogue Recordist
James Bowman – Animation Dialogue Recordist
Evan McHugh – Score Engineer
Craig Beckett – Score Recordist
Rose Mackenzie-Peterson – Asst Score Engineer
Liam Moses – ADR Mixer

Andrew Plain Award for
Best Film Sound Editing

Winner
Mortal Kombat

Nominees

The Dry

Chris Goodes – Sound Designer & Supervising Sound Editor
Glenn Newnham – Supervising Sound Editor
David Williams – SFX Editor
Lee Yee – SFX Editor and Foley Editor
Mario Vaccaro – Foley Artist

Mortal Kombat

Robert Mackenzie – Sound Supervisor
James Ashton – Sound Designer
Mick Boraso – Sound Designer
Steve Burgess – Sound Designer
Jed Dodge – Dialogue and ADR Supervisor
Leah Katz – ADR Editor
Tara Webb – SFX Editor
Adrian Medhurst – Foley Artist
Jessica Meier – Assistant Sound Editor
Dylan Burgess – Sound Editor
Ryan Squires – Foley Editor
Sam Rogers – Assistant Foley editor
Chris Vetrisano – Sound Assistant
Tim Ryan – Music Editor
Katrina Schiller – Music Editor

Nitram

James Ashton – Sound Designer
Steve Single – Dialogue Editor
Megan Howieson – Foley Editor
Skye Hollingsworth – Sound Post Producer

Penguin Bloom

Chris Goodes – Sound Designer & Supervising Sound Editor
Glenn Newnham – Supervising Sound Editor
Lee Yee – SFX Editor
David Williams – SFX Editor
Mario Vaccaro – Foley Artist
Megan Howieson – Foley Editor
Michael Zachariou – Foley Editor
Tim Ryan – Music Editor
Katrina Schiller – Music Editor

Best Film Sound Mixing

Winner
Mortal Kombat

Nominees

The Dry

Chris Goodes – Re-Recording Mixer

Mortal Kombat

Robert Mackenzie – Re-recording mixer
Phil Heywood – Re-Recording Mixer
Glenn Butler – Re-recording Engineer
Daniel Hackett – Re-recording Engineer
Duncan Campbell – Foley Mixer
Angus Robertson – ADR Mixer
Liam Moses – ADR Mixer

Nitram

Steve Single – Re-Recording Mixer

Penguin Bloom

Chris Goodes – Re-Recording Mixer

Soundtrack of the Year

Winner
Nitram

Nominees

The Dry

Chris Goodes – Re-Recording Mixer, Sound Designer, Supervising Sound Editor
Glenn Newnham – Supervising Sound Editor
Ann Aucote – Sound Recordist
David Williams – Sound FX Editor and ADR Recordist
Lee Yee – Sound FX Editor and Foley Editor
Mario Vaccaro – Foley Artist
Alex Francis – Foley Recordist
Helen McGrath – Boom Operator
Jack Rodrigues – Boom Operator
Liesl Pieterse – ADR Recordist
Will Carroll – ADR Recordist

The Furnace

David Raines MPSE – Supervising Sound Editor
Nick Gallagher – Sound Designer
Pete Smith CAS – Re-recording Mixer
David Raines CAS – Re-recording Mixer
Duncan Campbell – Re-recording Mixer
Nick Gallagher – Re-recording Mixer
Lucy Messenger – First Assistant Sound Editor, Foley Artist and Editor
Terri Bellem – Second Assistant Sound Editor
Justine Angus – Dialogue Editor
Duncan Campbell – Sound Effects Editor
Mike Fragomeni – Foley Mixer
Les Fiddess – Foley Supervisor & Foley Artist
Carlos Manrique Clavijo – Mix Assistant
Yvonne Murray – Mix Assistant
Gavin Repton – Production Mixer
Chris OShea – Boom Operator
Pete Best – ADR Mixer
Steve Finnigan – ADR Mixer
Liam Moses – ADR Mixer
David Williams – ADR Mixer
Ben Stewart – ADR Mixer
Arian Pearson – ADR Mixer
Ahmed Sabbour – ADR Mixer
M Hassan Alhanafy – ADR Mixer
Owen Grieve – ADR Recordist
George Zakaria – ADR Recordist

High Ground

Chris Goodes – Re-Recording Mixer, Sound Designer, & Supervising Sound Editor
Liesl Pieterse – Sound Editor and ADR Recordist
Glenn Newnham – Sound Editor
Luke Millar – Sound Editor
Lee Yee – Sound Editor
Dylan Burgess – Sound Editor
Mario Vaccaro – Foley Artist
Alex Francis – Foley Recordist
Will Carroll – ADR Recordist
Trevor Hope – ADR Recordist
Adam Sullivan – ADR Recordist
Michael Zachario – Foley Editor
Nick Emond – Sound Recordist
Glenn Fitzpatrick – Additional Sound Recordist
Jack Rodrigues – Boom Operator

Mortal Kombat

Robert Mackenzie – Sound Supervisor and Re-recording mixer
James Ashton – Sound Design
Mick Boraso – Sound Design
Steve Burgess – Sound Design
Des Kenneally – Sound Recordist
Phil Heywood – Re-Recording Mixer
Jed Dodge – Dialogue and ADR Supervisor
Leah Katz – ADR Editor
Tara Webb – SFX Editor
Adrian Medhurst – Foley Artist
Duncan Campbell – Foley Mixer
Jessica Meier – Assistant Sound Editor
Dylan Burgess – Sound Editor
Ryan Squires – Foley Editor
Sam Roger – Assistant Foley editor
Chris Vetrisano – Sound Assistant
Glenn Butler – Re-recording Engineer
Daniel Hackett – Re-recording Engineer
Marco Arlotta – Boom Operator
Aimee Mullins – Second Boom Operator
Leigh Kenyon – Boom Operator
Angus Robertson – ADR Mixer
Tim Ryan – Music Editor
Katrina Schiller – Music Editor
Liam Moses – ADR Mixer

Mr. Inbetween

Robert Mackenzie – Co-Sound Supervisor & Mixer
Tom Heuzenroeder – Co-Sound Supervisor & Mixer
Jed Dodge – Dialogue Editor & ADR Supervisor
Leah Katz – Dialogue Editor & ADR Supervisor
Adrian Medhurst – Foley Artist & Supervisor
Jessica Meier – Sound Assistant
Stuart Morton – SFX & Atmos Editor
Mick Boraso – SFX & Atmos Editor
Duncan Campbell – Foley Recordist
Ryan Squire – Foley Editor
Monica Anderson – RMS Producer
Nathaniel Watkins – Sound Recordist
Andy Duncan – Boom Operator
Piotr Wasilewski – Sound Assistant

My Name Is Gulpilil

Tom Heuzenroeder – Sound Designer & Composer
James Currie, ASSG – Sound Recordist
Duncan Campbell – Foley Recordist
Adrian Medhurst – Foley Artist
Sarah-Jane Rohrsheim – Additional Sound Recording

Nitram

James Ashton – Sound Designer
Steve Single – Re-Recording Mixer and Dialogue Editor
Dean Ryan – Sound Recordist
Mark Lavery – Boom Operator
David Williams – ADR Recordist
Mario Vaccaro – Foley Recordists
Alex Francis – Foley Recordists
Megan Howieson – Foley Editor
Skye Hollingsworth – Sound Post Producer

Penguin Bloom

Chris Goodes – Re-Recording Mixer , Sound Designer, Supervising Sound Editor
Glenn Newnham – Supervising Sound Editor
Nick Emond – Sound Recordist
Lee Yee – Sound FX Editor
David Williams – Sound FX Editor and ADR Recordist
Mario Vaccaro – Foley Artist
Akex Francis – Foley Recordist
Gerry Nucifora – Boom Operator
Megan Howieson – Foley Editor
Michael Zachariou – Foley Editor
Victor Emond Production – Sound Assistant
Tim Ryan – Music Editor
Katrina Schiller – Music Editor

Peter Rabbit 2

Robert Mackenzie – Supervising Sound Editor and Re-recording Mixer
Andy Wright – Supervising Sound Editor and Re-recording Mixer
Kevin O’Connell – Re-recording Mixer
Ben Osmo – Production Sound Mixer
Sue Kerr – Boom Operator
Gary Hamden – Boom Operator
Leah Katz – Supervising Dialogue & ADR Editor
Justine Angus – Supervising Dialogue & ADR Editor
Ulrika Akander – ADR Supervisor
Becky Sullivan – ADR Supervisor
Tara Webb – FX Editor
Mike Boraso – FX Editor
Stuart Morton – FX Editor
Steve Urban – Dialogue Editor
Adam Connelly – Foley Editor
Mario Vaccaro – Foley Artist
Alex Francis – Foley Recordist
Beth Bezzina – Assistant Sound Editor
Megan Howieson – Assistant Sound Editor
Jess Meier – Assistant Sound Editor
Tim Ryan – Music Editor
Sherry Whitfield – Music Consultant
Al Clay – Score Mixer
Evan McHugh – Score Engineer
Craig Beckett – Score Pro Tools Operator
Gary Dodkin – Production Sound Mixer: UK
Kyle Arzt – Re-recording Mix Technician
Owen Grieve – Re-recording Mix Technician
Will Carroll – Re-recording Mix Technician
Brian Roth – Animation Dialogue Recordist
Diego Ruiz – Animation Dialogue Recordist
Jean McGrath – Animation Dialogue Recordist
James Bowman – Animation Dialogue Recordist
Evan McHugh – Score Engineer
Craig Beckett – Score Recordist
Rose Mackenzie-Peterson – Asst Score Engineer
Liam Moses – ADR Mixer