Syd Butterworth Lifetime Achievement Award
Sponsored by Avid
Liam Egan
Greg Bell Student Encouragement Award
Sponsored by Pro Sound Effects
Alicia Tucker
Best Sound for a Commercial or Promo
Sponsored by CDA Pro AV
Rollin’: Smooth
Tone Aston – Sound Designer
Daniel William – Sound Designer
Best Sound for Short Form Content
Sponsored by RMS
Places I Go
Cameron Milne – Sound Designer / Sound Editor / Sound Engineer
Best Sound for a Children’s or Animation
Sponsored by Amber Technology
Blue Eye Samurai
Myron Nettinga – Re-Recording Mixer / co-supervising Sound Editor
Paulette Lifton – Co-Supervising Sound Editor
Jared Dwyer – Sound Designer
Andrew Miller – Sound Designer
Sam Hayward – Sound Designer
Johanna Turner – Sound Effects Editor
Justin Helle – Foley Editor
Iko Kagasoff – Music Editor
Stefan Fraticelli – Foley Artist
Jason Charbonneau – Foley Artist
Best Sound for Lifestyle, Reality or Factual Entertainment
Sponsored by Spectrum
Top Gear Australia
Stuart Morton – Supervising Sound Editor
Nick Peterson – Sound Co-Supervisor
Mitch Lewis – Studio Sound Supervisor
Daniel Anthon – Re-recording Mixer / Dialogue Editor
Michael Kennedy – Sound Recordist and Assistant
Jye Cork – Sound Recordist and Assistant
Grant Covacic – Sound Recordist
Eren Sener ASSG – Sound Recordist
Gary Hamden – Sound Recordist
Renato Ferrari – Sound Recordist
Daniel Anthon – Dialogue Editor
Cate Cahill ASSG – Dialogue and SFX Editor
Grace Newman – Assistant Sound Editor
Best Sound for a Documentary
Sponsored by Unison Sound & Sounds in Sync
Porcelain War
Rob Mackenzie – Co-Supervising Sound Editor
Sam Hayward – Re-recording mixer
Jared Dwyer – Co-Supervising Sound Editor
Andrey Stefanov – Sound Recordist
Dlava Leontyev – Sound Recordist
Andrew Miller – Sound Designer
Alex Francis – Sound Designer
Joe Mount – Sound Designer / Sound Effects Editor
Adrian Medhurst – Foley artist
Duncan Campbell – Foley mixer
Karina Rezhevska – Foley mixer
Diana Oleksiiko – Foley artist
Pavlo Nivievskyi – Foley editor
Matt Lee – Assistant Sound Editor
Sean Walker – Assistant Sound Editor
Monica Anderson – RMS Producer
Best Sound for a Television Series
Sponsored by AFTRS
Boy Swallows Universe
Sam Hayward – Supervising Sound Editor / Re-recording Mixer
Nigel Christensen ASSG – Sound Design / Sound Effect Editor
Michael Ackroyd – Sound Design / Sound Effect Editor
Cameron Grant – Sound Design / Sound Effect Editor
Scott Mulready – Production Sound Mixer
Danielle Wiessner ASSG – Dialogue Editor
Blair Slater – Foley
Dan Johnston – Foley
Duncan McAllister – Foley
Luisa Hadley – Foley
Chloe Turner – Foley
Glenn Butler – Re-Recording Engineer
Tim Ryan – Music Editor
Leah Gersteling – Boom Operator
Ruth Vance – Boom Operator
Daniel Hackett – ADR Editor
Catherine Armstrong- Facilities Producer
Basia A’Hern- Facilities Producer
Sofia Costa- Facilities Producer
Best Sound for an Independent Feature Film
Sponsored by Sennheiser
Time Addicts
Ryan Granger – Sound Designer
Simon Rosenberg – Re-recording mixer
Hugh Palmer – Production Sound Mixer
Johnsen Cummings – Sound Editor
Joel Taylor – Sound Editor
Paul Shanahan – Dialogue Editor
Gerry Long – Foley Artist
Scott Heming – Foley Engineer
Zac Camm – Score Mixer
Bruce Armstrong – Boom Operator
Best Sound for a Feature Film
Sponsored by Netflix
The Royal Hotel
Andy Wright – Supervising Sound Editor / Re-recording Mixer
Jed Palmer – Sound Designer / Music Editor & Mixer
Will Sheridan – Production Sound Mixer
Cihan Saral – Dialogue & ADR Editor
Michael Newton – Sound Effects Editor
Adam Connelly – Foley Artist
Megan Howieson – Foley Editor
Chloe Turner – Foley Recordist
Travis Williamson – Boom Operator
Cameron Brooks – Boom Operator
Owen Grieve – ADR Recordist
Will Carroll – ADR Recordist
Alexander Roberts – Re-recording Mix Tech / ADR Recordist
Nikola van de Wetering – Sound Utility
Grace Newman – Sound Attachment
Best Production Sound
Sponsored by Studio Connections
The Convert
Mark Williams – Production Sound Mixer
Jo Fraser – First Assistant Location Sound
Andrew Plain Award – Best Sound Editing
Sponsored by Sound Radix
Furiosa
Robert Mackenzie – Supervising Sound Editor/ Sound Designer
James Ashton – Sound Designer
Yulia Akerholt ASSG – Supervising Dialogue & ADR Editor
Jessica Meier – Sound Effects Editor
Tara Webb – Sound Effects Editor
Tom Heuzenroeder – Sound Effects Editor
Adrian Medhurst – Foley Artist /Foley Editor
Duncan Campbell – Foley Mixer / Foley Editor
David Whitehead – Sound Effects Recordist
Frank Lipson – Sound Effects Recordist
Simon Koehn – Foley Assistant
Marisa Marsionis – Dialogue & ADR Assistant Editor
Matt Lee – 1st Assistant Sound Editor
Sean Walker – Assistant Sound Editor
Monica Anderson – Managing Director / RMS Producer
Angus Robertson ASSG – ADR Mixer
Craig Beckett – ADR Mixer
Liam Moses – ADR Mixer
Xoe Baird ASSG – ADR Mixer
Mike Lange – ADR Mixer
Nick Roberts – ADR Mixer
Tami Treadwell – ADR Mixer
Best Sound Mixing
Sponsored by Silver Trak Digital
Furiosa
Robert Mackenzie – Re-Recording Mixer
Tom Holkenborg – Re-Recording Mixer
Glenn Butler – Re-Recording Engineer
Daniel Hackett – Re-Recording Engineer
James Ashton – Re-Recording Mixer
Jessica Meier – Re-Recording Mixer
Best Music Production
Sponsored by Soundfirm
Furiosa
Tom Holkenborg – Music Mixer / Producer
Jamieson Shaw – Music Editor
Luca Fagagnini – Technical Score Engineer
Michael Staffeldt – Technical Score Engineer
Craig Beckett – Score Engineer
Isaac Ross – Assistant Score Engineers
Charlie Howe – Assistant Score Engineers
Liam Moses – Protools Operator