The Australian Screen Sound Guild is pleased to announce the nominees for the 2024 ASSG Awards.
Congratulations to all the nominees!
Our nominee announcement was live streamed this year. If you would like to watch the replay, you can find it on our facebook page here.
NOTE: If there is a spelling mistake or a name missing from the below list please contact your Sound Supervisor and ask them to get in touch with awards@assg.org.au to rectify this. Any amendments need to be made by Sunday 20 October, or the listings below will be the spelling and order of the names printed on booklets, certificates and statues.
Greg Bell Student Encouragement Award
Alicia Tucker
Nathan Winslow
Layla Saad & Olivia Cruice
Best Sound for a Commercial or Promo
HUSK: Lightyears From Home
Andy Stewart – Sound Recordist / Sound Designer / Re-Recording Mixer
Timothy Bridge – Sound Designer
Josh Pearson – Score Recording Engineer / Score Mixer / Music Editor
NRMA: Hailstorm
Tone Aston – Sound Designer
Daniel William – Sound Designer
Rollin’: Smooth
Tone Aston – Sound Designer
Daniel William – Sound Designer
VW: Lighthouse
Tone Aston – Sound Designer
Daniel William – Sound Designer
Best Sound for Short Form Content
Die Bully Die
Brendan Croxon – Re-Recording Mixer / Dialogue Editor
Cristobal Penailillo – Sound Recordist
Jack Moiseyev – Sound Recordist
Troy Mauri – Sound Effects Editor
Places I Go
Cameron Milne – Sound Designer / Sound Editor / Sound Engineer
Raising Thunder
Brad Habib – Re-recording Mixer / Sound Designer / Sound Effects Editor / Dialogue Editor
James Brock – Sound Recordist
Tam Glover – Sound Effects Editor
Jake Isard – Sound Effects Editor
Brendan Hill – Foley
Rebekah Ashmore – Boom Operator
Untethered
Stuart Melvey – Re-Recording Mixer / Music editor and mixer
Dante Florez – Sound Recordist
Simon Ouyen – Sound Recordist
Megan Howieson – Sound Effects Editor
Alex Roberts – Dialogue Editor / ADR Editor / ADR Recordist
Owen Grieve – ADR Recordist
Grau Bardulet Torner – ADR Recordist
Best Sound for a Children’s or Animation
Blue Eye Samurai
Myron Nettinga – Re-Recording Mixer / co-supervising Sound Editor
Paulette Lifton – Co-Supervising Sound Editor
Jared Dwyer – Sound Designer
Andrew Miller – Sound Designer
Sam Hayward – Sound Designer
Johanna Turner – Sound Effects Editor
Justin Helle – Foley Editor
Iko Kagasoff – Music Editor
Stefan Fraticelli – Foley Artist
Jason Charbonneau – Foley Artist
Bluey
Dan Brumm – Re-recording Mixer / Sound Designer
Combat Wombat: Double Trouble
Sam Gain-Emery – Sound Supervisor
Ben Stewart – Sound Supervisor / Re-recording mixer / Sound Designer
Thom Kellar – Re-recording mixer
Dan Brumm – Sound editor
Scott Heming – Foley Recordist
Gerry Long – Foley artist
Sam Lowe – Music Production
Ack Kinmonth – Music Production
Andrew Miller – Dialogue recording
Andrew Mcgrath – Dialogue recording
Kieran Parker – Dialogue recording
Petris Torres – Dialogue recording
Jacob Gibson – assistant sound editor
The Sloth Lane
Sam Gain-Emery – Supervising sound editor / Re-recording Mixer
Ben Stewart – Supervising sound editor / Sound Designer
Thom Kellar – Re-recording Mixer
Gerry Long – Foley Artist
Scott Heming – Foley Recordist
Ack Kinmonth – Music Production
Sam Lowe – Music Production
James Bryant – Dialogue recording
Mark Kondracki – Dialogue recording
Andrew Mcgrath – Dialogue recording
Best Sound for Lifestyle, Reality or Factual Entertainment
The Mole
Simon Hicks – Re-Recording Mixer
Greg Northam – Production Sound Supervisor
Adam Morgan – Sound Operator
Chris Bollard – Sound Operator
Michael Wyse – Sound Operator
William Brincat – Sound Operator
Sarah Henty – Sound Operator
Brendan Hill – Dialogue Editor
Samuel Grimshaw – Sound Effects Editor
Bowen Shakalis – Production Audio Assistant
Jordan Anastasi – Production Audio Assistant
Red Dirt Road Trip
Kim Lord ASSG – Re-Recording Mixer
Xoe Baird ASSG – Re-Recording Mixer / Sound Effect Editor
Owen Hughes ASSG – Location Sound Recordist
Petris Torres – Location Sound Recordist
Benjamin Morris – Dialogue and Sound Effects Editor
Stuff The British Stole
Aurimus Juskevics – Re-recording Mixer / Sound Designer / Sound Editor
Top Gear Australia
Stuart Morton – Supervising Sound Editor
Nick Peterson – Sound Co-Supervisor
Mitch Lewis – Studio Sound Supervisor
Daniel Anthon – Re-recording Mixer / Dialogue Editor
Michael Kennedy – Sound Recordist and Assistant
Jye Cork – Sound Recordist and Assistant
Grant Covacic – Sound Recordist
Eren Sener ASSG – Sound Recordist
Gary Hamden – Sound Recordist
Renato Ferrari – Sound Recordist
Daniel Anthon – Dialogue Editor
Cate Cahill ASSG – Dialogue and SFX Editor
Grace Newman – Assistant Sound Editor
Best Sound for a Documentary
The Blind Sea
Abby Sie – Supervising Sound Editor / Re-recording Mixer
Myles Lowe – Sound Editor / Re-recording Mixer
Madelyn Tait – Sound Editor
Damian Waddell – Sound Editor
Saul Gillingham – Sound Editor
Midnight Oil: The Hardest Line
Travis Handley – Supervising Sound Editor
Wayne Pashley ASSG – Re-Recording Mixer
Stephen Hopes – Sound Recordist
Jason King – Sound Effects Editor
Libby Villa ASSG – Sound Post Co-ordinator
Porcelain War
Rob Mackenzie – Co-Supervising Sound Editor
Sam Hayward – Re-recording mixer
Jared Dwyer – Co-Supervising Sound Editor
Andrey Stefanov – Sound Recordist
Dlava Leontyev – Sound Recordist
Andrew Miller – Sound Designer
Alex Francis – Sound Designer
Joe Mount – Sound Designer / Sound Effects Editor
Adrian Medhurst – Foley artist
Duncan Campbell – Foley mixer
Karina Rezhevska – Foley mixer
Diana Oleksiiko – Foley artist
Pavlo Nivievskyi – Foley editor
Matt Lee – Assistant Sound Editor
Sean Walker – Assistant Sound Editor
Monica Anderson – RMS Producer
Skategoat
Cate Cahill ASSG – Re-recording Mixer / Sound Designer
Daniel Hackett – Dialogue Editor / ADR Editor / Mix Assistant
Andrew Kotatko – Music Supervisor
Oren Yaacoby – Supervising Music Editor
Craig Beckett – Music Editor
Sam Hayward – Supervising Sound Editor / Re-recording Mixer (Directors Cut)
Cameron Grant – Sound Designer (Directors Cut)
Blair Slater – Foley Supervisor and Editor
Dan Johnston – Foley Artist
Duncan McAllister – Foley Recordist
Angus Robertson ASSG – Spectrum Films Head Of Sound
Francis Byrne – Production Mixer (Australia)
Sam May – Production Mixer (US)
Angelica Rodriguez – Production Mixer (US)
Joe McGill – Production Mixer (US)
Orville Allen – Production Mixer (US)
Joe Costner – Production Mixer (US)
Best Sound for a Television Series
The Artful Dodger
Luke Mynott – Supervising Sound Editor / Re-recording Mixer
Wes Chew – Supervising Sound Editor
Grant Shepherd – Production Mixer
Tom Herdman – Dialogue Editor
Tania Vlassova – Sound Effects Editor / ADR Recordist
Weronika Razna – Sound Effects Editor
Andrew Simmons – Foley Supervisor
Tom David – Foley Recordist & Editor / Mix Assistant
Mario Vaccaro – Foley Artist
Jayden Whitbread – Foley Recordist & Editor
Heidi Vybiral – Foley Editor
Simon Allen – Boom Operator
Max Petrovic – Boom Operator
Victor Emond – Boom Operator
Josh Pearson – Music Mixer / Music Recording Engineer
James Andrews – ADR Recordist
Micayla Lucy – Sound Editor
Joel Dias – Assistant Music Engineer
Josh Nowiczewski – Production Sound Attachment
Karina Pitt – Facility Producer
Boy Swallows Universe
Sam Hayward – Supervising Sound Editor / Re-recording Mixer
Nigel Christensen ASSG – Sound Design / Sound Effect Editor
Michael Ackroyd – Sound Design / Sound Effect Editor
Cameron Grant – Sound Design / Sound Effect Editor
Scott Mulready – Production Sound Mixer
Danielle Wiessner ASSG – Dialogue Editor
Blair Slater – Foley
Dan Johnston – Foley
Duncan McAllister – Foley
Luisa Hadley – Foley
Chloe Turner – Foley
Glenn Butler – Re-Recording Engineer
Tim Ryan – Music Editor
Leah Gersteling – Boom Operator
Ruth Vance – Boom Operator
Daniel Hackett – ADR Editor
Catherine Armstrong- Facilities Producer
Basia A’Hern- Facilities Producer
Sofia Costa- Facilities Producer
The Lost Flowers of Alice Hart
Rob Mackenzie – Sound Supervisor / Re-Recording Mixer
David Lee – Production Sound Mixer
James Ashton – SFX Editor / Re-Recording Mixer
Glenn Newnham – Dialogue Editor / ADR Supervisor
James Andrews – Dialogue Editor / ADR Supervisor
Leah Katz – Dialogue Editor
Lauren Ligovich – Dialogue Editor
Dylan Burgess – Sound Effects Editor
Lee Yee – Foley Editor
Michael Zachariou – Foley Editor
Matthew Ault – Boom Operator
Jack Rodrigues – Boom Operator
Kara Moolman – Boom Operator
Sonja Stojkov – Boom Operator
Grant Shepherd – Boom Operator
Jessica Meier – Sound Assistant
Matt Lee – Sound Assistant
Monica Anderson – RMS Producer
The Twelve
Dino Giacomin – Sound Supervisor / Music Editor
Robert Sullivan – Re-recording Mixer
Trevor Hope ASSG – Production Sound Mixer
James Andrews – Dialogue Editor / ADR
Todd Shattock – Sound Effects Editor
Dan Young – Foley Recording
Nigel Croydon – Foley Artist
Ben Cowman – Boom Operator
Rebekah Ashmore – Boom Operator
Best Sound for an Independent Feature Film
Latency
Luke Mynott – Supervising Sound Editor / Re-recording Mixer
Mija Healey – Dialogue Editor
Tania Vlassova – Sound Effects Editor / ADR Recordist
Tom David – Sound Effects Editor
Adam Shaw – Sound Effects Editor
Andrew Simmons – Foley Supervisor
Mario Vaccaro – Foley Artist
Jayden Whitbread – Foley Recordist & Editor
Heidi Vybiral – Foley Editor
Sam Turner – Foley Recordist & Editor
Micayla Lucy – Sound Editor
Karina Pitt – Facility Producer
Night Bloomers
Alex Francis – Sound Supervisor / Re-recording Mixer
Jennifer Leonforte – Sound Designer
Martin Demian – Production Sound Mixer
Cihan Saral – Dialogue Editor
Mario Vaccaro – Foley Artist
Darren Lim – Score Mixer
Dante Florez – Boom Operator
Bryce Smith – Boom Operator
Will Carroll – ADR Recordists
Luke Stacey – Additional Sound Recordist
Time Addicts
Ryan Granger – Sound Designer
Simon Rosenberg – Re-recording mixer
Hugh Palmer – Production Sound Mixer
Johnsen Cummings – Sound Editor
Joel Taylor – Sound Editor
Paul Shanahan – Dialogue Editor
Gerry Long – Foley Artist
Scott Heming – Foley Engineer
Zac Camm – Score Mixer
Bruce Armstrong – Boom Operator
UnCancelled
Andy Wright – Supervising Sound Editor / Re-recording Mixer
Jose Manuel Sospedra – Production Sound Mixer
Will Carroll – Dialogue & ADR Editor
Megan Howieson – Sound Effects Editor
Enzo Belda – Boom Operator
Alexander Roberts – Re-recording Mix Tech
Best Sound for a Feature Film
Foe
Rob Mackenzie – Supervising Sound Editor / Re-recording Mixer / Sound Designer
Roger Van Wensveen ASSG – Production Sound Mixer
James Ashton – Sound Editor
Jessica Meier – Sound Effects Editor
Glenn Newnham – Dialogue Editor
Adrian Medhurst – Foley Artist / Foley Editor
Simon Koehn – Foley Recordist / Foley Editor
Timothy Smith – Boom Operator
Cam Eason – Boom Operator
Matt Lee – Assistant Sound Editor
Owen Grieve – Technical Assistant
Furiosa
Robert Mackenzie – Supervising Sound Editor/ Re-recording Mixer / Sound Designer
James Ashton – Re-Recording Mixer / Sound Designer
Tom Holkenborg – Re-Recording Mixer / Music Mixer / Music Producer
Jessica Meier – Re-Recording Mixer / Sound Effects Editor
Ben Osmo ASSG – Production Sound Mixer
Yulia Akerholt ASSG – Supervising Dialogue & ADR Editor
Tara Webb – Sound Effects Editor
Tom Heuzenroeder – Sound Effects Editor
Adrian Medhurst – Foley Artist / Foley Editor
Duncan Campbell – Foley Mixer / Foley Editor
David Whitehead – Sound Effects Recordist
Frank Lipson – Sound Effects Recordist
Glenn Butler – Re-Recording Engineer
Daniel Hackett – Re-Recording Engineer
Jamieson Shaw – Music Editor
Luca Fagagnini – Technical Score Engineer
Michael Staffeldt – Technical Score Engineer
Craig Beckett – Score Engineer / ADR Mixer
Sue Kerr ASSG – Key 1st Assistant Sound
Todd Moore – 1st Assistant Sound
Simon Koehn – Foley Assistant
Marisa Marsionis – Dialogue & ADR Assistant Editor
Matt Lee – 1st Assistant Sound Editor
Sean Walker – Assistant Sound Editor
Isaac Ross – Assistant Score Engineers
Charlie Howe – Assistant Score Engineers
Gary Hamden – Production Sound Mixer (2nd unit)
James Nowiczewski – Sound Recordist (2nd unit)
Michal Zoltkowski – 2nd Assistant Sound
Mario Gabrieli – Communications Technician
Steve Caldwell – RF Engineer
Claire Read – 3rd Assistant Sound
Jack Rodrigues – 1st Boom Operator (2nd unit)
Gareth Evans – 2nd Boom Operator (2nd unit)
Liam Moses – Protools Operator / ADR Mixer
Angus Robertson ASSG – ADR Mixer
Xoe Baird ASSG – ADR Mixer
Mike Lange – ADR Mixer
Nick Roberts – ADR Mixer
Tami Treadwell – ADR Mixer
Monica Anderson – Managing Director / RMS Producer
Land Of Bad
Wayne Lemmer – Supervising Sound Editor / Re-recording Mixer
Luke Mynott – Supervising Sound Editor
Michael Newton – Sound Designer
Pete Smith ASSG – Re-Recording Mixer
Dane Cody ASSG – Production Sound Mixer
Tom Herdman – Dialogue Editor
Dylan Barfield – Sound Effects Editor
Tania Vlassova – Sound Effects Editor
Andrew Simmons – Foley Supervisor
Mario Vaccaro – Foley Artist
Jayden Whitbread – Foley Recordist & Editor
Sam Turner – Foley Recordist & Editor
Heidi Vybiral – Foley Editor
Michael McEvoy – Boom Operator
Kempsey Lyon – Radio Mic Technician/2nd Boom
Cihan Saral – ADR Supervisor
Karina Pitt – Sound Producer
Tom David – Mix Technician
Bailey Hewett – Sound Assistant
Gunay Demirci – Additional Sound Recordist
Rod Conder – Additional Sound Recordist
Kempsey Lyon – Additional Sound Recordist
The Royal Hotel
Andy Wright – Supervising Sound Editor / Re-recording Mixer
Jed Palmer – Sound Designer / Music Editor & Mixer
Will Sheridan – Production Sound Mixer
Cihan Saral – Dialogue & ADR Editor
Michael Newton – Sound Effects Editor
Adam Connelly – Foley Artist
Megan Howieson – Foley Editor
Chloe Turner – Foley Recordist
Travis Williamson – Boom Operator
Cameron Brooks – Boom Operator
Owen Grieve – ADR Recordist
Will Carroll – ADR Recordist
Alexander Roberts – Re-recording Mix Tech / ADR Recordist
Nikola van de Wetering – Sound Utility
Grace Newman – Sound Attachment
Best Production Sound
The Convert
Mark Williams – Production Sound Mixer
Jo Fraser – First Assistant Location Sound
Foe
Roger Van Wensveen ASSG – Production Sound Mixer
Timothy Smith – Boom Operator
Cam Eason – Boom Operator
Force of Nature
Francis Byrne – Production Mixer
Hiroyuiki Igarashi – Boom Operator
Tim Smith – Boom Operator
The Lost Flowers of Alice Hart
David Lee – Production Sound Mixer
Matthew Ault – Boom Operator
Jack Rodrigues – Boom Operator
Kara Moolman – Boom Operator
Sonja Stojkov – Boom Operator
Grant Shepherd – Boom Operator
Andrew Plain Award
Best Sound Editing
The Artful Dodger
Luke Mynott – Supervising Sound Editor
Wes Chew – Supervising Sound Editor
Tom Herdman – Dialogue Editor
Tania Vlassova – SFX Editor & ADR Recordist
Weronika Razna – SFX Editor
Andrew Simmons – Foley Supervisor
Tom David – Foley Recordist & Editor
Mario Vaccaro – Foley Artist
Jayden Whitbread – Foley Recordist & Editor
Heidi Vybiral – Foley Editor
James Andrews – ADR Recordist
Micayla Lucy – Sound Editor
Karina Pitt – Facility Producer
Force of Nature
Andy Wright – Supervising Sound Editor
Glenn Newnham – Supervising Sound Editor
Tara Webb – Sound Designer
Adam Connelly – Foley Artist & Editor
Megan Howieson – Foley Editor
Chloe Turner – Foley Recordist
Owen Grieve – ADR Recordist
Will Carroll – ADR Recordist
Alexander Roberts – Assistant Sound Editor
Furiosa
Robert Mackenzie – Supervising Sound Editor/ Sound Designer
James Ashton – Sound Designer
Yulia Akerholt ASSG – Supervising Dialogue & ADR Editor
Jessica Meier – Sound Effects Editor
Tara Webb – Sound Effects Editor
Tom Heuzenroeder – Sound Effects Editor
Adrian Medhurst – Foley Artist /Foley Editor
Duncan Campbell – Foley Mixer / Foley Editor
David Whitehead – Sound Effects Recordist
Frank Lipson – Sound Effects Recordist
Simon Koehn – Foley Assistant
Marisa Marsionis – Dialogue & ADR Assistant Editor
Matt Lee – 1st Assistant Sound Editor
Sean Walker – Assistant Sound Editor
Monica Anderson – Managing Director / RMS Producer
Angus Robertson ASSG – ADR Mixer
Craig Beckett – ADR Mixer
Liam Moses – ADR Mixer
Xoe Baird ASSG – ADR Mixer
Mike Lange – ADR Mixer
Nick Roberts – ADR Mixer
Tami Treadwell – ADR Mixer
The Lost Flowers of Alice Hart
Rob Mackenzie – Sound Supervisor
James Ashton – Sound Effects Editor
Glenn Newnham – Dialogue Editor / ADR Supervisor
James Andrews – Dialogue Editor / ADR Supervisor
Leah Katz – Dialogue Editor
Lauren Ligovich – Dialogue Editor
Jessica Meier – Sound Assistant
Matt Lee – Sound Assistant
Dylan Burgess – Sound Effects Editor
Lee Yee – Foley Editor
Michael Zachariou – Foley Editor
Monica Anderson – RMS Producer
Best Sound Mixing
Foe
Rob Mackenzie – Re-Recording Mixer
Force Of Nature
Andy Wright – Re-recording Mixer
Owen Grieve – Re-recording Mix Technician
Furiosa
Robert Mackenzie – Re-Recording Mixer
Tom Holkenborg – Re-Recording Mixer
Glenn Butler – Re-Recording Engineer
Daniel Hackett – Re-Recording Engineer
James Ashton – Re-Recording Mixer
Jessica Meier – Re-Recording Mixer
Speedway
Pete Smith ASSG – Re-recording Mixer
Michael Darren – Re-Recording Mixer
Hamish Keen – Mix Technician
Best Music Production
The Convert
Matteo Zingales – Score Producer
Jessica Wells – Score Producer
Daniel Kresco – Score Mixer
Craig Beckett – Score Engineer / Music Editor
Liam Moses – Score Recordist
Charlie Howe – Assistant Score Engineer
Tim Ryan – Music Editor
Furiosa
Tom Holkenborg – Music Mixer / Producer
Jamieson Shaw – Music Editor
Luca Fagagnini – Technical Score Engineer
Michael Staffeldt – Technical Score Engineer
Craig Beckett – Score Engineer
Isaac Ross – Assistant Score Engineers
Charlie Howe – Assistant Score Engineers
Liam Moses – Protools Operator
Mozart’s Sister
Richard Hundy – Score recordist / Engineer / Editor / Mixer
Liam Moses – Score recordist
Charlie Howe – Score Recordist / Assistant Score Engineer
Sean Carey – Score Engineer
Jessica Wells – Score Editor
Evan McHugh – Score mixer
Damian Jory – Score mixer
One Four: Against All Odds
Stuart Morton – Music Editor