2026 ASSG Awards – Nominees

The Australian Screen Sound Guild is pleased to announce the nominees for the 2026 ASSG Awards.

Congratulations to all the nominees!

NOTE: If there is a spelling mistake or a name missing from the below list please contact your Sound Supervisor and ask them to get in touch with awards@assg.org.au to rectify this. Any amendments need to be made by 20th October, or the listings below will be the spelling and order of the names printed on booklets, certificates and statues.

Greg Bell Student Encouragement Award

Monica Lee
Luis Rumbolo
Jack Vicars
Maksim Voloshin-Cleary

Best Sound for a Children’s or Animation

Hazbin Hotel Season 2

Keith Thomas ASSG
Ryan Granger
Gus Threlfall
Johnsen Cummings
John Simpson
Tammy Moxon
Rodrigo Galván
Suzanne Goldish
Bryan Showalter

Mission Santa: Yoyo to the Rescue

Ben Stewart – Supervising Sound Editor, Sound Designer, Re-recording mixer
Sam Gain-Emery – Supervising Sound Editor
Thom Kellar – Re-recording mixer
Michael Madera – Recording Engineer
Gerry Long – Foley Artist
Scott Heming – Foley Recordist
Sam Lowe – Score Mixer
Hayden Riley – Assistant Sound Editor
Jacob Gibson – Assistant Sound Editor
Kyra Bellamy – Assistant Sound Editor

Smiling Friends Season 3

Keith Thomas ASSG
Lynne Butler
Gus Threlfall
Ryan Granger
Johnsen Cummings
Todor Manojlovic

The Pout Pout Fish

Stuart Morton MPSE – Supervising Sound Editor & Sound Designer
Alex Francis – Sound Designer
Daniel Anthon – Sound Editor
Jonathan Mendolicchio – Re-Recording Mixer, Sound Editor
Diego Ruiz – Re-Recording Mixer, Sound Editor, Dialogue Recording
Kyra Bellamy – Assistant Sound Editor, Dialogue Recording
Grace Newman – Assistant Sound Editor
Szabolcs Moradi – Dialogue Recording
Orsolya Moradi – Dialogue Recording
Gabor Moradi – Dialogue Recording
Carly Stipek – Dialogue Recording
Mark Kondracki – Dialogue Recording
Rhona Medina – Dialogue Recording
Emma Campbell – Dialogue Recording
Todd Cotham – Dialogue Recording
Wesley Coleman – Dialogue Recording
David Hokanson – Dialogue Recording
Christina Remnant – Dialogue Recording
Ross Caygill – Dialogue Recording
Elaine Beckett – Dialogue Recording
Liam Moses – Dialogue Recording
Craig Beckett – Dialogue Recording
Petris Torres – Dialogue Recording
Ben Stewart – Dialogue Recording
Elliott Lanam – Dialogue Recording
Sam Lowe – Music Score Mixer
Romain Quessaud – Score Assistant
Tristan Hoogland – Additional Song Mixer

Best Sound for a Commercial or Promo

Come Equipped 30 – Ryobi

Cameron Milne – Sound Designer, Voice Recordist, ADR Recordist, Sound Mixer.

Australia’s Deadliest Predator – TAC

Abigail Sie – Sound Designer
Ralph Van Dijk – Audio Director

Dumb Thumb – Victorian Gambling and Casino Control Commission (VGCCC)

Liam Annert – Sound Design

Wherever We Go Again – Telstra

Tone Aston – Lead Sound Designer
Daniel William – Sound Designer

Best Sound for Lifestyle, Reality or Factual Entertainment

Australian Survivor: Australia V The World

Leon Horrocks – Post Sound Editor and Mixer
Darren Thomas – Audio Supervisor
Joel Hodgkinson – Audio Op B
James McCloy – Audio Op C
Patrick Wilson – Audio Op D
Bronson Wilson – Audio Op E
Seth Jackson – Audio Op F
Rich Lawton – Audio Op G
Michael Wyse –Audio Op H
Ed Denton – Audio Op K
Michael Bogdanovic – Audio Op M
Tony Clunes – Audio Op N
Andrew Dickens – Audio Op P
Josh Greene – Audio Assistant

Donna Hay Coastal Celebrations

Stuart Morton MPSE – Sound Supervisor
Frank Harrold – Sound Recordist
Daniel Anthon – Re-Recording Mixer, Dialogue Editor
Jonathan Mendolicchio – Sound Effects Editor
Grace Newman – Assistant Sound Editor

No Holds Barred – GWS

Nicholas Peterson – Production Sound Mixer
Michael Kennedy – Location Sound Recordist

Outback Wreckers

Brad Habib – Re-recording Mixer
Callum Davidson – SFX Editor
Jake Isard – Dialogue Editor
Lachlan Cooper – Dialogue Editor

Best Sound for a Live Action Short Film

Fracture

Kevin Chan – Sound Supervisor, Re-recording Mixer, Sound Recordist, ADR Recordist
Liam Dennis – Sound Supervisor, Boom Operator, ADR Recordist
Jayden Whitbread – Foley Artist
Ivan Ordenes – ADR Recordist

The Worm

Milo Fisher – Sound design and Re-recording Mixer
Robert Mackenzie – Sound design and Re-recording Mixer
Michal Zoltkowski – Sound Recordist
Marisa Marsionis – Dialogue and ADR
Adam Connelly – Foley
Ravi Gupta – Foley Recordist
Sean Walker – Assistant Sound Editor
Linus Ferris – Assistant Sound Editor
Dante Florez – Boom Operator
Liam Moses – ADR Recordist

Underneath

Brad Habib – Sound Supervisor & Sound Designer
Tam Glover – Sound Designer & Rerecording Mixer
Brendan Hill – Foley

What if the Future Never Happened?

Adam Alexander – supervising sound editor and sound design
Daniel Johns – sound design
Beau Golden – sound design
John Romeo – re-recording mixer and score mixer
Andy Wright – re-recording mixer
Clint Topic – location sound recordist
Philip Meyers – location sound recordist
Oliver Dibley – location sound recordist
Diego Ruiz – dialogue editor
Beth Bezzina – dialogue editor
Paul Stefanidis – score mixer and sound mix consultant
John Vella – foley artist
Piotr Wasilewski – effects recordist
Thomas Mitchell – 7.0.4 ambience recordist
Hamish Rag – boom operator
Shaun Richards – post production manager – soundfirm

Best Sound for Interactive or Immersive Entertainment

Disruption

Matthew Perrott ASSG – Sound Design & Mix
Helena Czajka – Music Production

Dungeons & Damper: Into The D20

Nathan Turnbull – Sound Recordist & Sound Designer
Stuart Melvey – Music Mixer

Stranger Things Circular Quay

Will Thackray
Damian Enemark

The Australian War Memorial Anzac Hall

Tania Vlassova – Sound Designer
Luke Mynott – Sound Supervisor
Tom David – Mix Technician
Karina Pitt – Sound Producer

Best Sound for a Documentary

Death Cap Murders

Stuart Morton MPSE – Sound Supervisor
Daniel Anthon – Re-Recording Mixer
John Servedio – Lead Sound Recordist
Simon Rosenberg – Sound Editor
Pip Atherstone-Reid – Sound Editor
Emily Swanson – Music Editor
Grace Newman – Assistant Sound Editor
Boris Borokhov – Additional Sound
Lynne Butler – Additional Sound
Aaron D’Arcy – Additional Sound
George Carpenter – Opening Titles Mixer
AJ Bradford – Opening Titles Additional Recordist

Death of a Shaman

David Williams – Sound Designer, Re-Recording Mixer
Dan Jackson – Production Mixer
Owen Grieve – Dialogue Editor

Epic: Elvis Presley in Concert

Wayne Pashley ASSG – Sound Designer, Supervising Sound Editor
Libby Villa ASSG – Supervising Sound Editor
Sam Hayward – Re-recording Mixer
Nick Breslin – Archive Sound Restoration, Dialogue Editor
Fabian Sanjurjo – Sound Effects Editor
Max Pashley – Sound Effects Editor
Blair Slater – Foley Editor, Foley Supervisor
Luisa Hadley – Foley Editor
Dan Johnston – Foley Artist
Duncan McAllister – Foley Recordist
Glenn Butler – Re-recording Engineer
Jamieson Shaw – Music Producer / Supervising Music Editor
Kim Green – Music Supervisor
Bryan Patrick – Music Supervisor
Evan McHugh – Music Mixer / Supervising Music Editor
Rose Mackenzie-Peterson – Additional Music Editor
Craig Beckett – Technical Score Engineer
Elaine Beckett – Score Co-ordinator
Isaac Ross – Assistant Score Engineer
Jayden Whitbread – Assistant Score Engineer
Liam Moses – ProTools Operator

Sentient

Nigel Christensen ASSG- Sound Editing, Sound Mix
Lauren Ligovich – Sound Editing
Jarred Otton – Production Sound
Jo Taylor – Production Sound
John Fonseca – Production Sound
Duncan Lowe – Foley
Beth Bezzina – Sound Editing
Justine Angus ASSG – Sound Editing

Silenced

Jessica Meier – Sound Designer
Andy Wright – Supervising Sound Editor, Re-recording Mixer
Sarah Henty – Production Mixer
Kate Ryan – Production Mixer
Alexander Roberts – Re-recording Mix Tech

Best Sound for a Television Series

Mystery Road: Origin, Season 2

Luke Mynott – re-recording mixer / supervising sound editor
Dylan Barfield – sound designer
Gavin Repton ASSG – sound recordist
Tom Herdman – dialogue editor
Andrew Simmons – foley / foley supervisor
Sam Turner – foley editor
Chloe Turner – foley editor
Mario Vaccaro – foley artist
James Andrews -adr mixer / adr recordist
Justin Astbury – adr recordist
Xoe Baird ASSG – adr recordist
Tom David – mix technician
Tony Moller – dubbing mixer
Karina Pitt – sound producer
Andy Wang – sound assistant
Aron Dyer – boom operator
Alexander Blocher – second boom operator
Daniel Denholm – score editor & mixer

Run, Season 1

Robert Mackenzie – Sound Supervisor
Justin Spasevski – Re-Recording Mixer
Trevor Hope ASSG – Sound Recordist
Brett Stayt – Additional Sound Recordists
Jason North – Additional Sound Recordists
Alex Francis – Sound Effects Editor
Hamish Keen – Dialogue and ADR Supervisor
Matt Lee – Assistant Dialogue Editor
Adrian Medhurst – Foley Artist
Linus Ferris – 1st Assistant Editor
Milo Fisher – Assistant Editors
Sean Walker – Assistant Editors
Sophie Haydon – Sonar Music Executive Producer
Ellie Brandwood – Sonar Music Producer
Kate Dean – Music Supervisor
Jane Jacob – Music Supervisor
Jamieson Shaw – Supervising Music Editor
Joel Dias – Sonar Music Editor
Rose Mackenzie-Peterson – Music Editor
Craig Beckett – ADR Recordist
Tim Ryan – ADR Recordist
Liam Moses – ADR Recordist
Ben Cowman – Boom Operator
Rebekah Ashmore – Boom Operator
Aref Rashidan – Additional Boom Operator

The Artful Dodger, Season 2

Luke Mynott – Supervising Sound Editor, Re-recording Mixer
Michael Newton – Sound Designer, Re-recording Mixer
Tania Vlassova – Sound Designer, Re-recording Mixer
Paul Finlay – Sound Recordist
Tom Herdman – Dialogue Editor
Derryn Pasquill – Dialogue Editor
James Andrews – ADR Supervisor
Craig Butters – Sound Effects Editor
Micayla Lucy – Sound Editor
Andrew Simmons – Foley Supervisor
Mario Vaccaro – Foley Artist
Chloe Turner – Foley Editor & Recordist
Sam Turner – Foley Editor
Jason Mannell – Foley Recordist
Tom David – Mix Technician
Joel Dias – Music Editor
Josh Pearson – Music Editor
Craig Beckett – Music Production
Liam Moses – Music Production
Isaac Ross – Music Production
Karina Pitt – Sound Producer
Hamish Howes – Boom Operator
Ruby Bonnett – Boom Operator

Treasure & Dirt, Season 1

Andy Wright – Re-recording Mixer, Supervising Sound Editor
Nick Steele – Production Mixer
Will Sheridan – Additional Sound recordist
Will Carroll – Dialogue Editor
Weronika Razna – FX Editor
Adam Connelly – Foley Artist
Megan Howieson – Foley Editor
Alex Francis – Foley Recordist
Chloe Turner – Foley Recordist
Alexander Roberts – Re-recording Mix Tech
Josh Pearson – Score Mixing Engineer
Joel Dias – Music Editor, Score Engineer
Charles Alderson – Boom Operator
Aidyn Davis – Boom Operator
Leigh Kenyon – Additional Boom Operator
Travis Williamson – Additional Boom Operator

Best Production Sound

Addition

Francis Byrne ASSG – Production Mixer
Hayley Bennett – Boom Operator
Tim Smith – Boom Operator

Eden

Paul ‘Salty Dog’ Brincat – Production Sound Mixer
Kara Moolman – Boom Operator
Joshua O’Donnell – Additional Sound Mixer/Boom Operator
Jess Neumann – Sound Utility
Craig Walmsley ASSG – Sound Recordist: Second Unit
Ruth Vance – Boom Operator: Second Unit

Leviticus

Roger van Wensveen ASSG – Production Mixer (Location Sound Recordist)
Lewis O’Brien – Boom Operator / Radio Mic Technician
Samantha Davies – Second Boom Operator / Radio Mic Technician
Lloyd Pratt – Second Boom Operator / Radio Mic Technician

The Fox

Nick Steele – Location Sound Recordist
Oliver McLoughlin – Boom Operator
Leigh Kenyon – Boom/Playback Operator

Andrew Plain Award
Best Sound Editing

Epic: Elvis Presley in Concert

Wayne Pashley ASSG – Sound Designer, Supervising Sound Editor
Libby Villa ASSG – Supervising Sound Editor
Nick Breslin – Archive Sound Restoration, Dialogue Editor
Fabian Sanjurjo – Sound Effects Editor
Max Pashley – Sound Effects Editor
Blair Slater – Foley Editor, Foley Supervisor
Luisa Hadley – Foley Editor
Dan Johnston – Foley Artist
Duncan McAllister – Foley Recordist

Mortal Kombat II

James Ashton – Sound Designer/SFX Editor
Alex Francis – Sound Designer/SFX Editor
Jared Dwyer – Sound Designer/SFX Editor
Andrew Miller – Sound Designer/SFX Editor
Steve Burgess – Sound Designer/SFX Editor
Leah Katz – Dialogue/ADR Supervisor
Marisa Marsionis – Dialogue Editor
Adrian Medhurst – Foley
Simon Koehn – Foley
Brendan Hill – Foley
Stephen Goldsmith – Foley
Tim Ryan – Music Editor
Matt Lee – Assistant Sound Editor
Sean Walker – Assistant Sound Editor

Pressure

Tom Heuzenroeder – Sound Designer / Supervising Sound Editor
Duncan Campbell – Sound Designer / Supervising Sound Editor
Leah McKeown – Supervising Dialogue Editor
Roisin Gleeson – Dialogue Editor / 1st Assistant Sound Editor
Effie Flynn – 2nd Assistant Sound Editor
Tara Webb – Sound Effects Editor
Frank Lipson – Sound Effects Editor
Derryn Pasquill – ADR Editor
Adrian Medhurst – Foley Artist / Foley Editor
Simon Koehn – Foley Recordist
Stephen Goldsmith – Foley Editor
Andy Neil – Loop Group Supervisor
Beth Grainger – Loop Group Editor
Alexandra Short – Sound Post-Producer

War Machine

Jared Dwyer – Sound Designer and FX Editor
Andrew Miller – Sound Designer and FX Editor
Rick Lisle – Sound Designer and FX Editor
Marisa Marsionis – Dialogue and ADR Supervisor
Matt Lee – 1st Assistant Sound Editor
Sean Walker – 1st Assistant Sound Editor
Milo Fisher – Assistant Sound Editor
Linus Ferris – Assistant Sound Editor
Steve Burgess – Foley Artist and Editor
Dylan Burgess – Foley Recordist and Editor
Tim Ryan – Music Editor

Best Sound Mixing

Epic: Elvis Presley in Concert

Sam Hayward – Re-recording Mixer
Evan McHugh – Music Mixer
Jamison Shaw – Additional Music Mixer
Glenn Butler – Re-recording Engineer
Matthew Weekes – Studio Engineer

Mortal Kombat II

Robert Mackenzie – Supervising Sound Editor/ Re recording Mixer
Phil Heywood ASSG – Re-Recording Mixer
Marisa Marsionis – Mix Assistant

Pressure

Pete Smith ASSG – Re-Recording Mixer
Tom Heuzenroeder – Re-Recording Mixer
Daniel Hackett – Re-Recording Mix Engineer
Kevin Chan – Re-Recording Mix Engineer

War Machine

Robert Mackenzie – Supervising Sound Editor and Re-Recording Mixer
Marisa Marsionis – Mix Assistant

Best Music Production

Epic: Elvis Presley in Concert

Jamieson Shaw – Music Producer / Supervising Music Editor
Evan McHugh – Music Mixer / Supervising Music Editor
Kim Green – Music Supervisor
Bryan Patrick – Music Supervisor
Rose Mackenzie-Peterson – Additional Music Editor
Craig Beckett – Technical Score Engineer
Elaine Beckett – Score Co-ordinator
Isaac Ross – Assistant Score Engineer
Jayden Whitbread – Assistant Score Engineer
Liam Moses – ProTools Operator

Mortal Kombat II

Peter Cobbin – Score Recordist
Kirsty Whalley – Score Recordist
Craig Beckett – Score Recordist
Scott Smith – Score mixer
Tim Ryan – Music Editor
Liam Moses – Protools Operator
Charlie Howe – Protools Operator
Angus Perry – Protools Operator
Isaac Ross – Protools Operator
Elaine Beckett – Score Coordinator

Treasure & Dirt

Joel Dias – Music Editor, Score Engineer
Josh Pearson – Music Editor, Mixing Engineer

War Machine

Emily Rogers Swanson – Music Editor
Tim Ryan – Music Editor
Del Spiva – Music Editor
Ebenezer Eferobor – Assistant Music Editor
Christian Scallan – Score Mixer
Laurence Anslow – Score Recordist
Isaac Ross – Assistant Engineer
Liam Moses – Pro-Tools Operator
Elaine Beckett – Score Coordinator
Lucy Chada – Music Coordinator

Best Sound for an Independent Feature Film

Alphabet Lane

Tania Vlassova – Sound Designer & Re-recording Mixer
Luke Mynott – Supervising Sound Editor & Re-recording Mixer
Adam Armstrong – Sound Recordist
Mija Healey – Dialogue Editor
Andrew Simmons – Foley Supervisor
Mario Vaccaro – Foley Artist
Jayden Whitbread – Foley Recordist
Sam Turner – Foley Editor
Michael Darren – Mix Technician
Karina Pitt – Sound Producer

Body Blow

Matthew Perrott ASSG – Supervising Sound Designer, Music Mixer
Andy Wright – Re-Recording Mixer
Megan Howieson – Re-Recording Mixer
Kyle McLeavy – Sound Recordist
David Do – Sound Recordist
Andrew Dean – Dialogue Editor
Paul Reeves – Sound Editor
Stuart Melvey – Sound Effects Editor
Les Fiddess ASSG – Foley Artist and Editor
Terri Bellem – Foley Mixer
Sean Rogers – Foley Mixer
Andreas Dominguez – Music Recordist
Julian Oliver – Additional Music Mixing

First Light

Stuart Morton MPSE – Supervising Sound Editor
Daniel Anthon – Re-Recording Mixer
Antonio “Jonjie” San Vicentre Jr – Sound Recordist
Bonie Martin – Location Sound Mixer
Jonathan Mendolicchio – Sound Effects Editor
Diego Ruiz – Sound Effects Editor
Grace Newman – Assistant Sound Editor
Kyra Bellamy – Assistant Sound Editor
Patricia Langas – Foley Team Lead
Francis Lorenzo – Foley Artist
Johoaness M. Mundane – Boom Operator
Carlos Francisco L. Picache – Boom Operator Assistant
Jonjie San Vicente – Foley Recordist
Andro Avila – Assistant Foley Recordist
Simon Lam – Music Editor
Ryllah Berico Parungao – ADR Director
Elle Genovata – Assistant ADR Director
Tony Lazzaro – ADR Recordist
Ross Caygil – ADR Recordist
Simon Lam – ADR Recordist
Patricia Langas – ADR Editor
Jonathan Moll – Technical Adviser, Sound Department

Lies Within Us

Tam Glover – Sound designer, Re-recording mixer, Score mixer
Bryan Chance – Sound Recordist
Brendan Hill – foley artist
Jack Purkiss – boom operator

Best Sound for a Feature Film

Mercy

Robert Mackenzie – Sound Designer & Re-Recording Mixer
Glenn Butler – Re-Recording Mixer
Julian Howarth – Production Sound Mixer
Michael Piotrowski – Sound Mixer (Additional Photography)
Jared Dwyer – Sound Designers and FX Editor
Andrew Miller – Sound Designers and FX Editor
Rick Lisle – Sound Designers and FX Editor
Sean Walker – 1st Assistant Sound Editor
Matt Lee – Assistant Sound Editor
Linus Ferris – Assistant Sound Editor
Nigel Christensen ASSG – Sound Effect Editor
Marisa Marsionis – ADR/ Dialogue Supervisor
Steve Burgess – Foley Artist
Dylan Burgess – Foley Editor
Chris Fogel – Score Mixed by
Craig Beckett – Scoring Mixer
Jakov Naumoski – Mix Assistant
Isaac Ross – Assistant Engineer
Rodney Berling – Music Editor
Liam Moses – Pro-Tools Operator
Elaine Beckett – Score Coordinator
Jaylen Thompson – Music Coordinator
Henry van Roden – Music Coordinator
Gabe Hilfer – Music Supervisor
Yohannes Skoda – Boom Operator
Leslie Metts – Sound Utility
Terrell Woodard – Sound Utility Technician

Mortal Kombat II

Robert Mackenzie – Supervising Sound Editor/ RE recording Mixer
Phil Heywood ASSG – Re-Recording Mixer
Rod Conder – Production Sound Mixer
Mark van Kool ASSG – Production Sound Mixer (Second Unit)
James Ashton – Sound Designer/SFX Editor
Alex Francis – Sound Designer/SFX Editor
Jared Dwyer – Sound Designer/SFX Editor
Andrew Miller – Sound Designer/SFX Editor
Steve Burgess – Sound Designer/SFX Editor
Matt Lee – Assistant Sound Editor
Sean Walker – Assistant Sound Editor
Leah Katz – Dialogue/ADR Supervisor
Marisa Marsionis – Dialogue Editor, Mix Assistant
Adrian Medhurst – Foley
Simon Koehn – Foley
Brendan Hill – Foley
Stephen Goldsmith – Foley
Peter Cobbin – Score Recordist
Kirsty Whalley – Score Recordist
Craig Becket – Score Recordist
Scott Smith – Score mixer
Tim Ryan – Music Editor
Liam Moses – Protools Operator
Charlie Howe – Protools Operator
Angus Perry – Protools Operator
Isaac Ross – Protools Operator
Elaine Beckett – Score Coordinator
Andrew Dickens – Boom Operator
Kempsey Lyon – Boom Operator
Kara Moolman – Boom Operator
Matthew Ault – Boom Operator (Second Unit)
Grace Porter – Sound Trainee (Second Unit)
Ryan Turner – Sound Attachment (Second Unit)

Pressure

Tom Heuzenroeder – Sound Designer / Supervising Sound Editor, Re-Recording Mixer, Music Editor
Duncan Campbell – Sound Designer / Supervising Sound Editor
Pete Smith ASSG – Re-Recording Mixer
Nadine Richardson – Production Sound Mixer
Adam Laschinger – Sound Recordist
Leah McKeown – Supervising Dialogue Editor
Roisin Gleeson – Dialogue Editor / 1st Assistant Sound Editor
Effie Flynn – 2nd Assistant Sound Editor
Tara Webb – Sound Effects Editor
Frank Lipson – Sound Effects Editor
Derryn Pasquill – ADR Editor
Adrian Medhurst – Foley Artist / Foley Editor
Simon Koehn – Foley Recordist
Stephen Goldsmith – Foley Editor
Daniel Hackett – Re-Recording Mix Engineer
Kevin Chan – Re-Recording Mix Engineer
Andy Neil – Loop Group Supervisor
Beth Grainger – Loop Group Editor
Niall Cropper – Boom Operator
Thomas Fennell – 1st Assistant Sound
Kyle Pickford – 1st Assistant Sound
Louis Lovelace – 2nd Assistant Sound
Alexandra Short – Sound Post-Producer

War Machine

Robert Mackenzie – Supervising Sound Editor and Re-Recording Mixer
Manel López – Sound Recordist
Jared Dwyer – Sound Designer and FX Editor
Andrew Miller – Sound Designer and FX Editor
Rick Lisle – Sound Designer and FX Editor
Marisa Marsionis – Dialogue and ADR Supervisor, Mix Assistant
Matt Lee – 1st Assistant Sound Editor
Sean Walker – 1st Assistant Sound Editor
Milo Fisher – Assistant Sound Editor
Linus Ferris – Assistant Sound Editor
Steve Burgess – Foley Artist and Editor
Dylan Burgess – Foley Recordist and Editor
Emily Rogers Swanson – Music Editor
Tim Ryan – Music Editor
Del Spiva – Music Editor
Ebenezer Eferobor – Assistant Music Editor
Christian Scallan – Score Mixer
Laurence Anslow – Score Recordist
Isaac Ross – Assistant Engineer
Liam Moses – Pro-Tools Operator
Elaine Beckett – Score Coordinator
Lucy Chada – Music Coordinator
Hayley Bennett – Boom Operator
Andy Newton – Boom Operator
Kyle Griffiths – Boom Operator (New Zealand Unit)
Tommy Bufalo – Additional Boom Operator
Gunay Demirci – Additional Boom Operator
Cole Ebeling – Sound Assistant (New Zealand Unit)
Shenella De Silva – Sound Production Assistant