The Greg Bell Student Encouragement Award

Monica Lee

Luis Rumbolo

Jack Vicars

Maksim Voloshin-Cleary

Best Sound for Children’s or Animation

Hazbin Hotel Season 2

Keith Thomas ASSG

Ryan Granger

Gus Threlfall

Johnsen Cummings

John Simpson

Tammy Moxon

Mission Santa: Yoyo to the Rescue

Ben Stewart – Supervising Sound Editor, Sound Designer, Re-recording mixer

Sam Gain-Emery – Supervising Sound Editor

Thom Kellar – Re-recording mixer

Michael Madera – Recording Engineer

Gerry Long – Foley Artist

Scott Heming – Foley Recordist

Sam Lowe – Score Mixer

Hayden Riley – Assistant Sound Editor

Jacob Gibson – Assistant Sound Editor

Kyra Bellamy – Assistant Sound Editor

Smiling Friends Season 3

Keith Thomas ASSG

Lynne Butler

Gus Threlfall

Ryan Granger

Johnsen Cummings

The Pout Pout Fish

Stuart Morton MPSE – Supervising Sound Editor & Sound Designer

Alex Francis – Sound Designer

Daniel Anthon – Sound Editor

Jonathan Mendolicchio – Re-Recording Mixer, Sound Editor

Diego Ruiz – Re-Recording Mixer, Sound Editor, Dialogue Recording

Kyra Bellamy – Assistant Sound Editor, Dialogue Recording

Grace Newman – Assistant Sound Editor

Szabolcs Moradi – Dialogue Recording

Orsolya Moradi – Dialogue Recording

Gabor Moradi – Dialogue Recording

Carly Stipek – Dialogue Recording

Mark Kondracki – Dialogue Recording

Rhona Medina – Dialogue Recording

Emma Campbell – Dialogue Recording

Todd Cotham – Dialogue Recording

Wesley Coleman – Dialogue Recording

David Hokanson – Dialogue Recording

Christina Remnant – Dialogue Recording

Ross Caygill – Dialogue Recording

Elaine Beckett – Dialogue Recording

Liam Moses – Dialogue Recording

Craig Beckett – Dialogue Recording

Petris Torres – Dialogue Recording

Ben Stewart – Dialogue Recording

Elliott Lanam – Dialogue Recording

Sam Lowe – Music Score Mixer

Romain Quessaud – Score Assistant

Tristan Hoogland – Additional Song Mixer

Best Sound for a Commercial or Promo

Come Equipped 30 – Ryobi

Cameron Milne – Sound Designer, Voice Recordist, ADR Recordist, Sound Mixer.

Australia’s Deadliest Predator – TAC

Abigail Sie – Sound Designer

Ralph Van Dyke – Audio Director

Dumb Thumb – Victorian Gambling and Casino Control Commission (VGCCC)

Liam Annert – Sound Design

Wherever We Go Again – Telstra

Tone Aston – Lead Sound Designer

Daniel William – Sound Designer

Best Sound for Lifestyle, Reality or Factual Entertainment 

Australian Survivor: Australia V The World

Leon Horrocks – Post Sound Editor and Mixer

Darren Thomas – Audio Supervisor

Joel Hodgkinson – Audio Op B

James McCloy – Audio Op C

Patrick Wilson – Audio Op D

Bronson Wilson – Audio Op E

Seth Jackson, Audio Op F

Richard Lawton – Audio Op G

Michael Wyse –Audio Op H

Ed Denton – Audio Op K

Michael Bogdanovic – Audio Op M

Tony Clunes – Audio Op N

Andrew Dickens – Audio Op P

Josh Grene – Audio Assistant

Donna Hay Coastal Celebrations

Stuart Morton MPSE – Sound Supervisor

Frank Harrold – Sound Recordist

Daniel Anthon – Re-Recording Mixer, Dialogue Editor

Jonathan Mendolicchio – Sound Effects Editor

Grace Newman – Assistant Sound Editor

No Holds Barred – GWS

Nicholas Peterson – Production Sound Mixer

Michael Kennedy – Location Sound Recordist

Outback Wreckers

Brad Habib – Re-recording Mixer

Callum Davidson – SFX Editor

Jake Isard – Dialogue Editor

Lachlan Cooper – Dialogue Editor

Best Sound for a Live Action Short Film

Fracture

Kevin Chan – Sound Supervisor, Re-recording Mixer, Sound Recordist, ADR Recordist

Liam Dennis – Sound Supervisor, Boom Operator, ADR Recordist

Jayden Whitbread – Foley Artist

Ivan Ordenes – ADR Recordist

The Worm

Milo Fisher – Sound design and Re-recording Mixer – 

Robert Mackenzie – Sound design and Re-recording Mixer

Michal Zoltkowski – Sound Recordist

Marisa Marsionis – Dialogue and ADR

Adam Connelly – Foley

Ravi Gupta – Foley Recordist

Sean Walker – Assistant Sound Editor

Linus Ferris – Assistant Sound Editor

Dante Florez – Boom Operator

Liam Moses – ADR Recordist

Underneath

Brad Habib – Sound Supervisor & Sound Designer

Tam Glover – Sound Designer & Rerecording Mixer

Brendan Hill – Foley

WHAT IF THE FUTURE NEVER HAPPENED?

Adam Alexander – supervising sound editor and sound design

Daniel Johns – sound design

Beau Golden – sound design

John Romeo – re-recording mixer and score mixer

Andy Wright – re-recording mixer

Clint Topic – location sound recordist

Philip Meyers – location sound recordist

Oliver Dibley – location sound recordist

Diego Ruiz – dialogue editor

Beth Bezzina – dialogue editor

Paul Stefanidis – score mixer and sound mix consultant

John Vella – foley artist

Piotr Wasilewski – effects recordist

Thomas Mitchell – 7.0.4 ambience recordist

Hamish Rag – boom operator

Shaun Richards – post production manager – soundfirm

Best Sound for Interactive or Immersive Entertainment

Disruption

Matthew Perrott ASSG – Sound Design & Mix

Helena Czajka – Music Production

Dungeons & Damper: Into The D20

Nathan Turnbull – Sound Recordist & Sound Designer

Stuart Melvey – Music Mixer

Stranger Things Circular Quay

Will Thackray

Damian Enemark

The Australian War Memorial Anzac Hall

Tania Vlassova – Sound Designer

Luke Mynott – Sound Supervisor

Tom David – Mix Technician

Karina Pitt – Sound Producer

Best Sound for a Documentary

Death Cap Murders

Stuart Morton MPSE – Sound Supervisor

Daniel Anthon – Re-Recording Mixer

John Servedio – Lead Sound Recordist

Simon Rosenberg – Sound Editor

Pip Atherstone-Reid – Sound Editor

Emily Swanson – Music Editor

Grace Newman – Assistant Sound Editor

Boris Borokhov – Additional Sound

Lynne Butler – Additional Sound

Aaron D’Arcy – Additional Sound

George Carpenter – Opening Titles Mixer

AJ Bradford – Opening Titles Additional Recordist

Death of a Shaman

David Williams – Sound Designer, Re-Recording Mixer

Dan Jackson – Production Mixer

Owen Grieve – Dialogue Editor

Epic: Elvis Presley in Concert

Wayne Pashley ASSG – Sound Designer, Supervising Sound Editor

Libby Villa ASSG – Supervising Sound Editor

Sam Hayward – Re-recording Mixer

Nick Breslin – Archive Sound Restoration, Dialogue Editor

Fabian Sanjurjo – Sound Effects Editor

Max Pashley – Sound Effects Editor

Blair Slater – Foley Editor, Foley Supervisor

Luisa Hadley – Foley Editor

Dan Johnston – Foley Artist

Duncan McAllister – Foley Recordist

Glenn Butler – Re-recording Engineer

Jamieson Shaw – Music Producer / Supervising Music Editor

Kim Green – Music Supervisor

Bryan Patrick – Music Supervisor

Evan McHugh – Music Mixer / Supervising Music Editor

Rose Mackenzie-Peterson – Additional Music Editor

Liam Moses – ProTools Operator

Sentient

Nigel Christensen ASSG- Sound Editing, Sound Mix

Lauren Ligovich – Sound Editing

Jarred Otton – Production Sound

Jo Taylor – Production Sound

John Fonseca – Production Sound

Duncan Lowe – Foley

Beth Bezzina – Sound Editing

Justine Angus ASSG – Sound Editing

Silenced

Jessica Meier – Sound Designer

Andy Wright – Supervising Sound Editor, Re-recording Mixer

Sarah Henty – Production Mixer

Kate Ryan – Production Mixer

Alexander Roberts – Re-recording Mix Tech

Best Sound for a Television Series

Mystery Road: Origin, Season 2

Luke Mynott – re-recording mixer / supervising sound editor

Dylan Barfield – sound designer

Gavin Repton ASSG – sound recordist

Tom Herdman – dialogue editor

Andrew Simmons – foley / foley supervisor

Sam Turner – foley editor

Chloe Turner – foley editor

Mario Vaccaro – foley artist

James Andrews -adr mixer / adr recordist

Justin Astbury – adr recordist

Xoe Baird ASSG – adr recordist

Tom David – mix technician

Tony Moller – dubbing mixer

Karina Pitt – sound producer

Andy Wang – sound assistant

Aron Dyer – boom operator

Alexander Blocher – second boom operator

Daniel Denholm – score editor & mixer

Run, Season 1

Robert Mackenzie – Sound Supervisor

Justin Spasevski – Re-Recording Mixer

Trevor Hope ASSG – Sound Recordist

Brett Stayt – Additional Sound Recordists

Jason North – Additional Sound Recordists

Alex Francis – Sound Effects Editor

Hamish Keen – Dialogue and ADR Supervisor

Matt Lee – Assistant Dialogue Editor

Adrian Medhurst – Foley Artist

Linus Ferris – 1st Assistant Editor

Milo Fisher – Assistant Editors

Sean Walker – Assistant Editors

Sophie Haydon – Sonar Music Executive Producer

Ellie Brandwood – Sonar Music Producer

Kate Dean – Music Supervisor

Jane Jacob – Music Supervisor

Jamieson Shaw – Supervising Music Editor

Joel Dias – Sonar Music Editor

Rose Mackenzie-Peterson – Music Editor

Ben Cowman – Boom Operator

Rebekah Ashmore – Boom Operator

Aref Rashidan – Additional Boom Operator

The Artful Dodger, Season 2

Luke Mynott – Supervising Sound Editor, Re-recording Mixer

Michael Newton – Sound Designer, Re-recording Mixer

Tania Vlassova – Sound Designer, Re-recording Mixer

Paul Finlay – Sound Recordist

Tom Herdman – Dialogue Editor

Derryn Pasquill – Dialogue Editor

James Andrews – ADR Supervisor

Craig Butters – Sound Effects Editor

Micayla Lucy – Sound Editor

Andrew Simmons – Foley Supervisor

Mario Vaccaro – Foley Artist

Chloe Turner – Foley Editor/Recordist

Sam Turner – Foley Editor

Jason Mannell – Foley Recordist

Tom David – Mix Technician

Joel Dias – Music Editor

Josh Pearson – Music Editor

Karina Pitt – Sound Producer

Hamish Howes – Boom Operator

Ruby Bonnett – Boom Operator

Treasure & Dirt, Season 1

Andy Wright – Re-recording Mixer, Supervising Sound Editor

Nick Steele – Production Mixer

Will Sheridan – Additional Sound recordist

Will Carroll – Dialogue Editor

Weronika Razna – FX Editor

Adam Connelly – Foley Artist

Megan Howieson – Foley Editor

Alex Francis – Foley Recordist

Chloe Turner – Foley Recordist

Alexander Roberts – Re-recording Mix Tech

Josh Pearson – Score Mixer

Joel Dias – Music Editor

Charles Alderson – Boom Operator

Aidyn Davis – Boom Operator

Leigh Kenyon – Additional Boom Operator

Travis Williamson – Additional Boom Operator

Best Production Sound 

Addition

Francis Byrne ASSG – Production Mixer

Hayley Bennett – Boom Operator

Tim Smith – Boom Operator

Eden

Paul ‘Salty Dog’ Brincat – Production Sound Mixer

Kara Moolman – Boom Operator

Joshua O’Donnell – Additional Sound Mixer/Boom Operator

Craig Walmsley ASSG – Sound Recordist: Second Unit

Leviticus

Roger van Wensveen ASSG – Production Mixer (Location Sound Recordist)

Lewis O’Brien – Boom Operator / Radio Mic Technician

Samantha Davies – Second Boom Operator / Radio Mic Technician

Lloyd Pratt – Second Boom Operator / Radio Mic Technician

The Fox

Nick Steele – Location Sound Recordist

Oliver McLoughlin – Boom Operator

Leigh Kenyon – Boom/Playback Operator

Best Sound Editing 

Epic: Elvis Presley in Concert

Wayne Pashley ASSG – Sound Designer, Supervising Sound Editor

Libby Villa ASSG – Supervising Sound Editor

Nick Breslin – Archive Sound Restoration, Dialogue Editor

Fabian Sanjurjo – Sound Effects Editor

Max Pashley – Sound Effects Editor

Blair Slater – Foley Editor, Foley Supervisor

Luisa Hadley – Foley Editor

Dan Johnston – Foley Artist

Duncan McAllister – Foley Recordist

Mortal Kombat II

James Ashton – Sound Designer/SFX Editor

Alex Francis – Sound Designer/SFX Editor

Jared Dwyer – Sound Designer/SFX Editor

Andrew Miller – Sound Designer/SFX Editor

Steve Burgess – Sound Designer/SFX Editor

Leah Katz – Dialogue/ADR Supervisor

Marisa Marsionis – Dialogue Editor

Adrian Medhurst – Foley

Simon Koehn – Foley

Brendan Hill – Foley

Stephen Goldsmith – Foley

Matt Lee – Assistant Sound Editor

Sean Walker – Assistant Sound Editor

Pressure

Tom Heuzenroeder – Sound Designer / Supervising Sound Editor

Duncan Campbell – Sound Designer / Supervising Sound Editor

Leah McKeown – Supervising Dialogue Editor

Roisin Gleeson – Dialogue Editor / 1st Assistant Sound Editor

Effie Flynn – 2nd Assistant Sound Editor

Tara Webb – Sound Effects Editor

Frank Lipson – Sound Effects Editor

Derryn Pasquill – ADR Editor

Adrian Medhurst – Foley Artist / Foley Editor

Simon Koehn – Foley Recordist

Stephen Goldsmith – Foley Editor

Alexandra Short – Sound Post-Producer

War Machine

Jared Dwyer – Sound Designer and FX Editor

Andrew Miller – Sound Designer and FX Editor

Rick Lisle – Sound Designer and FX Editor

Marisa Marsionis – Dialogue and ADR Supervisor

Matt Lee – 1st Assistant Sound Editor

Sean Walker – 1st Assistant Sound Editor

Milo Fisher – Assistant Sound Editor

Linus Ferris – Assistant Sound Editor

Steve Burgess – Foley Artist and Editor

Dylan Burgess – Foley Recordist and Editor

Best Sound Mixing 

Epic: Elvis Presley in Concert

Sam Hayward – Re-recording Mixer

Glenn Butler – Re-recording Engineer

Mortal Kombat II

Robert Mackenzie – Supervising Sound Editor/ Re recording Mixer

Phil Heywood ASSG – Re-Recording Mixer

Marisa Marsionis – Mix Assistant

Pressure

Pete Smith ASSG – Re-Recording Mixer

Tom Heuzenroeder – Re-Recording Mixer

War Machine

Robert Mackenzie – Supervising Sound Editor and Re-Recording Mixer

Marisa Marsionis – Mix Assistant

Best Music Production 

Epic: Elvis Presley in Concert

Jamieson Shaw – Music Producer / Supervising Music Editor

Evan McHugh – Music Mixer / Supervising Music Editor

Kim Green – Music Supervisor

Bryan Patrick – Music Supervisor

Rose Mackenzie-Peterson – Additional Music Editor

Liam Moses – ProTools Operator

Mortal Kombat II

Peter Cobbin – Score Recordist

Kirsty Whalley – Score Recordist

Craig Beckett – Score Recordist

Scott Smith – Score mixer

Liam Moses – Protools Operator

Charlie Howe – Protools Operator

Angus Perry – Protools Operator

Isaac Ross – Protools Operator

Elaine Beckett – Score Coordinator

Treasure & Dirt

Joel Dias – Music Editor

Josh Pearson – Music Editor

War Machine

Emily Rogers Swanson – Music Editor

Tim Ryan – Music Editor

Del Spiva – Music Editor

Ebenezer Eferobor – Assistant Music Editor

Christian Scallan – Score Mixer

Laurence Anslow – Score Recordist

Isaac Ross – Assistant Engineer

Liam Moses – Pro-Tools Operator

Elaine Beckett – Score Coordinator

Lucy Chada – Music Coordinator

Best Sound for an Independent Feature Film 

Alphabet Lane

Tania Vlassova – Sound Designer & Re-recording Mixer

Luke Mynott – Supervising Sound Editor & Re-recording Mixer

Adam Armstrong – Sound Recordist

Mija Healey – Dialogue Editor

Andrew Simmons – Foley Supervisor

Mario Vaccaro – Foley Artist

Jayden Whitbread – Foley Recordist

Sam Turner – Foley Editor

Michael Darren – Mix Technician

Karina Pitt – Sound Producer

Body Blow

Matthew Perrott ASSG – Supervising Sound Designer, Music Mixer

Andy Wright – Re-Recording Mixer

Megan Howieson – Re-Recording Mixer

Kyle McLeavy – Sound Recordist

David Do – Sound Recordist

Andrew Dean – Dialogue Editor

Paul Reeves – Sound Editor

Stuart Melvey – Sound Effects Editor

Les Fiddess ASSG – Foley Artist and Editor

Terri Bellem – Foley Mixer

Sean Rogers – Foley Mixer

Andreas Dominguez – Music Recordist

Julian Oliver – Additional Music Mixing

First Light

Stuart Morton MPSE – Supervising Sound Editor

Antonio “Jonjie” San Vicentre Jr – Sound Recordist

Bonie Martin – Location Sound Mixer

Jonathan Mendolicchio – Sound Effects Editor

Diego Ruiz – Sound Effects Editor

Grace Newman – Assistant Sound Editor

Patricia Langas – Foley Team Lead

Francis Lorenzo – Foley Artist

Johoaness M. Mundane – Boom Operator

Carlos Francisco L. Picache – Boom Operator Assistant

Jonjie San Vicente – Foley Recordist 

Andro Avila – Assistant Foley Recordist

Simon Lam – Music Editor

Ryllah Berico Parungao – ADR Director

Elle Genovata – Assistant ADR Director

Tony Lazzaro – ADR Recordist 

Ross Caygil – ADR Recordist

Simon Lam – ADR Recordist

Patricia Langas – ADR Editor

Jonathan Moll – Technical Adviser, Sound Department

Lies Within Us

Tam Glover – Sound designer, Re-recording mixer, Score mixer

Bryan Chance – Sound Recordist

Brendan Hill – foley artist

Jack Purkiss – boom operator

Best Sound for a Feature Film 

Mercy

Robert Mackenzie – Sound Designer & Re-Recording Mixer

Glenn Butler – Re-Recording Mixer

Julian Howarth – Production Sound Mixer

Michael Piotrowski – Sound Mixer (Additional Photography)

Jared Dwyer – Sound Designers and FX Editor

Andrew Miller – Sound Designers and FX Editor

Rick Lisle – Sound Designers and FX Editor

Sean Walker – 1st Assistant Sound Editor

Matt Lee – Assistant Sound Editor

Linus Ferris – Assistant Sound Editor

Nigel Christensen ASSG – Sound Effect Editor

Marisa Marsionis – ADR/ Dialogue Supervisor

Steve Burgess – Foley Artist

Dylan Burgess – Foley Editor

Chris Fogel – Score Mixed by

Craig Beckett – Scoring Mixer

Jakov Naumoski – Mix Assistant

Isaac Ross – Assistant Engineer

Rodney Berling – Music Editor

Liam Moses – Pro-Tools Operator

Jaylen Thompson – Music Coordinator

Henry van Roden – Music Coordinator

Gabe Hilfer – Music Supervisor

Yohannes Skoda – Boom Operator

Leslie Metts – Sound Utility

Terrell Woodard – Sound Utility Technician

Mortal Kombat II

Robert Mackenzie – Supervising Sound Editor/ RE recording Mixer

Phil Heywood ASSG – Re-Recording Mixer

Rod Conder – Production Sound Mixer

Mark van Kool ASSG – Production Sound Mixer (Second Unit)

James Ashton – Sound Designer/SFX Editor

Alex Francis – Sound Designer/SFX Editor

Jared Dwyer – Sound Designer/SFX Editor

Andrew Miller – Sound Designer/SFX Editor

Steve Burgess – Sound Designer/SFX Editor

Matt Lee – Assistant Sound Editor

Sean Walker – Assistant Sound Editor

Leah Katz – Dialogue/ADR Supervisor

Marisa Marsionis – Dialogue Editor, Mix Assistant

Adrian Medhurst – Foley

Simon Koehn – Foley

Brendan Hill – Foley

Stephen Goldsmith – Foley

Peter Cobbin – Score Recordist

Kirsty Whalley – Score Recordist

Craig Becket – Score Recordist

Scott Smith – Score mixer

Liam Moses – Protools Operator

Charlie Howe – Protools Operator

Angus Perry – Protools Operator

Isaac Ross – Protools Operator

Elaine Beckett – Score Coordinator

Andrew Dickens – Boom Operator

Kempsey Lyon – Boom Operator

Kara Moolman – Boom Operator

Matthew Ault – Boom Operator (Second Unit)

Grace Porter – Sound Trainee (Second Unit)

Ryan Turner – Sound Attachment (Second Unit)

Pressure

Tom Heuzenroeder – Sound Designer / Supervising Sound Editor, Re-Recording Mixer, Music Editor

Duncan Campbell – Sound Designer / Supervising Sound Editor

Pete Smith ASSG – Re-Recording Mixer

Nadine Richardson – Production Sound Mixer

Adam Laschinger – Sound Recordist

Leah McKeown – Supervising Dialogue Editor

Roisin Gleeson – Dialogue Editor / 1st Assistant Sound Editor

Effie Flynn – 2nd Assistant Sound Editor

Tara Webb – Sound Effects Editor

Frank Lipson – Sound Effects Editor

Derryn Pasquill – ADR Editor

Adrian Medhurst – Foley Artist / Foley Editor

Simon Koehn – Foley Recordist

Stephen Goldsmith – Foley Editor

Niall Cropper – Boom Operator

Thomas Fennell – 1st Assistant Sound

Kyle Pickford – 1st Assistant Sound

Louis Lovelace – 2nd Assistant Sound

Alexandra Short – Sound Post-Producer

War Machine

Robert Mackenzie – Supervising Sound Editor and Re-Recording Mixer

Manel López – Sound Recordist 

Jared Dwyer – Sound Designer and FX Editor

Andrew Miller – Sound Designer and FX Editor

Rick Lisle – Sound Designer and FX Editor

Marisa Marsionis – Dialogue and ADR Supervisor, Mix Assistant

Matt Lee – 1st Assistant Sound Editor

Sean Walker – 1st Assistant Sound Editor

Milo Fisher – Assistant Sound Editor

Linus Ferris – Assistant Sound Editor

Steve Burgess – Foley Artist and Editor

Dylan Burgess – Foley Recordist and Editor

Emily Rogers Swanson – Music Editor

Tim Ryan – Music Editor

Del Spiva – Music Editor

Ebenezer Eferobor – Assistant Music Editor

Christian Scallan – Score Mixer

Laurence Anslow – Score Recordist

Isaac Ross – Assistant Engineer

Liam Moses – Pro-Tools Operator

Elaine Beckett – Score Coordinator

Lucy Chada – Music Coordinator

Hayley Bennett – Boom Operator

Andy Newton – Boom Operator

Kyle Griffiths – Boom Operator (New Zealand Unit)

Tommy Bufalo – Additional Boom Operator

Gunay Demirci – Additional Boom Operator

Cole Ebeling – Sound Assistant (New Zealand Unit)

Shenella De Silva – Sound Production Assistant

For any corrections, please email awards@assg.org.au.