The Australian Screen Sound Guild is pleased to announce the nominees for the 2025 ASSG Awards.
Congratulations to all the nominees!
Our nominee announcement was live streamed this year. If you would like to watch the replay, you can find it on our facebook page here.
NOTE: If there is a spelling mistake or a name missing from the below list please contact your Sound Supervisor and ask them to get in touch with awards@assg.org.au to rectify this. Any amendments need to be made by Friday 17th October, or the listings below will be the spelling and order of the names printed on booklets, certificates and statues.
Greg Bell Student Encouragement Award
Gus Devylder
James Edwards
Jeffrey Kingpin
Sheridan Nielsen
Shiying Tashae Tay
Best Sound for a Children’s or Animation
Dead Beat Ends Meet
Ryan Granger – Sound Designer/Re-recording Engineer/Music Supervisor
Johnsen Cummings – Sound Designer
Joel Taylor – Audio Editor
Kangaroo Beach
Ned Beckley – Sound Designer/Re-recording Mixer
Josh Hogan – Re-recording Mixer
Julian Oliver – Sound Effects Editor
Michael Szumowski – Music Production
Andrew Stevenson – Dialogue Recording
Xoe Baird ASSG – Dialogue Recording
Rock Island Mysteries
Ben Stewart – Sound Designer / Supervising Sound Editor
Sam Gain-Emery- Supervising Sound Editor
Stuart Morton – Supervising Sound Editor
Sam Lowe- Re-recording Mixer
Rod Conder – Production Sound Mixer
Andrew Dickens – Boom Operator
Hayden Riley – Dialogue Editor
Scott Heming – Foley Recordist
Gerry Long – Foley Artist
Vic Kaspar – ADR Recordist
Caitlin Yeo – Music Editor
Kempsey Lyon – Sound Utility / Additional Boom
Jacob Gibson – Assistant FX Editor
Spooky Files
James Harvey – Sound Designer
David Williams – FX Editor/ADR Recordist / Re-recording Mixer
John Wilkinson – Production Sound Mixer
Lewis O’Brien – Production Sound MIxer/Radio Mic Tech
Ben Faiman – Boom Operator
Liesl Pieterse – Dialogue Editor
Dylan Burgess – Foley Artist
Steve Burgess – Foley Recordist/ Foley Editor
Owen Grieve – ADR Recordist
Lee Yee – ADR Editor
Silvia Indriyani – Radio Mic Tech
Best Sound for a Commercial or Promo
Aussie Beef ‘Ship’
Andy Stewart – Sound Design
Joel Dias – Sound Effects Editor
Sapporo ‘So Pour A Sapporo’
Georgia Collins – Sound Designer
Smartraveller
Carlos Manrique Clavijo – Sound Designer/Re-recording mixer
Sprout x Briggs: Munarra
Will Thackray – Sound Designer/Re-Recording Mixer
Guus Hoevenaars – Music Engineer
Forrester Savell – Music Mix & Master
Telstra ‘Wherever We Go’
Tone Aston – Lead Sound Designer
Daniel William – Sound Designer
Renee Park – Sound Designer
Best Sound for Lifestyle, Reality or Factual Entertainment
Aussie Gold Hunters
Owen Hughes ASSG – Production Mixer
David Ross – Production Mixer
Nick Gallagher – Re-Recording Mixer
Nat Joyce – Dialogue Editor
Rhien Tan – Sound Effects Editor
Deal or No Deal Island
Mitch Lewis – Sound Supervisor
Nick Peterson – Production Sound Mixer/Assistant Supervisor
Matt Vaughan – Production Sound Mixer
Eren ‘Pinky’ Sener ASSG – Production Sound Mixer
William Brincat – Production Sound Mixer
Carlos Uriolla – Production Sound Mixer
Luchin Lasso – Production Sound Mixer
Ingmar Herrera – Production Sound Mixer
Barry S. Weir Jr. – Re-Recording Mixer
Mathew Wulff – Dialogue Editor
Louie Recinos – Sound FX editing
Paul Meyer – ADR mixer
Michael Kennedy – Lead Audio Assistant
Jye Cork – Audio Assistant
Emmanuel Drakakis – Audio Assistant
Taniwha Unleashed
Matt Perrott – Re-Recording Mixer
Paul Reeves – Sound Designer
Bel Cone – Sound Recordist
Leigh Krampe – Dialogue Editor
Andrew Dean – Sound Effects Editor
The Piano
Dan Rossides – Audio Supervisor
Matt Cleary – Audio Supervisor
Damian Jory – Re-recording mixer
Adam Morgan – Sound Recordist
Meg Barker – Sound Recordist
Joel Debien – Audio Technician
Will King – RF Technician
Lauren Ligovich – Sound FX editor
Joel Baldwin – Narration Record & edit
Jason Jones – Concert Sound Mixer
Jay Daszkewicz – Audio Assist
Mike Edwards – Audio Assist
Best Sound for a Live Action Short Film
Babushka
Stewart Dugdale – Sound Designer
Rob Pepper – Sound Design / Foley
Thalia Colettis – Re-recording Mixer
Rob Scott – Sound Recordist
Ryan Brown – Boom Operator
Hayden Riley – Dialogue Editor / Additional SFX Editor
Thom Kellar – Additional SFX Editor
Jacob Gibson – Additional SFX Editor
Imperium
Alex Francis – Sound Designer / Re-Recording Mixer
Vitaly Zolotarev – Sound Recordist
Indigo Parer – Music Editor
The Manic Helm
Jan Wong – Sound Designer
Jason Wolf – Sound Designer
Ryan Granger – Sound Designer
Ryan ranger – Re-Recording Mixer
Ben Bromfield – Music Engineer
Johnsen Cummings – Audio Editor
Joel Taylor – Audio Editor
The Roadhouse Blues
Josh Hogan – Sound Mixer / Sound Design
Scott Montgomery – Production Mixer
Les Fiddess ASSG – Foley Artist
Terri Bellem – Foley Mixer
Izzy Turner – Sound Assistant
Best Sound for Interactive or Immersive Entertainment
Agincourt
Jacob Waxman – Sound Designer / Mixer
Manel Lopez – Production Sound
David Chakman – Production Sound
Hayden Guilford – Production Sound
Lachlan Carrick – Scoring mixer
Doron Kipen – Dialogue Editor
Jenni Aldred – Foley / Sound Editor
Bluey World Dome
Dan Brumm – Sound Supervisor/Re-Recording Mixer
Sam Gain-Emery – Sound Supervisor/Re-Recording Mixer / Re-Recording Engineer
Thom Kellar – Sound Effects Editor/Re-Recording Mixer
Heath Plumb – Sound Effects Editor
Ben Stewart – Sound Effects Editor
Hayden Riley – Sound Assistant
Thalia Colettis – Sound Assistant
Jacob Gibson – Sound Assistant
The Giants
Thom Kellar – Sound Designer/Re-Recording Mixer
Jacob Gibson – FX Editor
Best Sound for a Documentary
Deeper
Tara Webb – Sound Designer / Re-Recording Mixer
Robert Mackenzie – Supervising Sound Editor
Nick Edmond ASSG – Studio Sound Recordist
Ben Dowie – Field Sound Recordists
Sam Dawson – Field Sound Recordists
Mario Gabrieli – Dialogue Editor
Evan McHugh – Score Mixer
Simon Bowley – Score Engineers
James Orr – Score Engineers
Sean Walker – First Assistant Sound Editor
Linus Ferris – Second Assistant Sound Editor
Lisa Gerrard – Additional Music and voice
Joel Dias – Score Mix Assistant
Ellis Park
Owen Grieve – Supervising Sound Editor
James Ashton – Re-recording Mixer
Lee Yee – Sound Designer
Steven Bond – Sound recordist
Unbreakable: The Jelena Dokic Story
Nigel Christensen ASSG – Supervising Sound Editor/Sound Designer/Re-Recording Mixer
Adam Scott Young – Production Sound
Colleen Brennan – Production Sound
Catherine Hood – Production Sound
Drew Levinson – Production Sound
Ferdinand Almalvez – Production Sound
Glenn Fitzpatrick – Production Sound
James Kenning – Production Sound
Joseph Levine – Production Sound
Richard Boxhall – Production Sound
Spencer Pierson – Production Sound
Steve Bond – Production Sound
James Andrews – Dialogue Editor
Michael Ackroyd – Sound Editor
Helena Czajka – Score Mixer
YURLU|COUNTRY
Sam Hayward – Re-recording Mixer / Supervising Sound Editor
Cameron Grant – Sound Designer
Stuart Melvey – Sound Designer
Adam Roberts – Production Sound
Ash Charlton ASSG – Production Sound
Brett Stayt – Production Sound
Richard Hubbard – Production Sound
Tom Bannigan – Production Sound
Helena Czajka – Music Production
Lauren Ligovich – Dialogue Editor
Best Sound for a Television Series
The Last Anniversary
Robert Mackenzie – Sound Supervisor/Re-Recording Mixer
Sam Hayward – Re-Recording Mixer
Andrew Kotatko – Music Supervisor
Troy Mauri – Sound Designer / SFX Editor
Brendan Croxon – Sound Designer / SFX Editor
Francis Byrne – Production Mixer
Phil Keros ASSG – Production Mixer
Sam Okell – Music Mixer
Andy Maxwell – Music Mixer
Scott Bruce – Boom Operator
Gary Hamden – Boom Operator
Ruby Bonnett – Boom Operator
Jeff Richardson – Dialogue and ADR
Emily Rogers Swanson – Music Editor
Adrian Medhurst – Foley
Milo Fisher – Assistant Sound Editor
The Last King of the Cross
Joel McLean – Supervising Sound Editor/Re-Recording Mixer/Production Music Editor&Mixer
Nigel Christensen ASSG – Sound Designer
Paul Finlay – Production Mixer
Todd Moore – Boom Operator
Sonja Stojkov – Boom Operator
Michael Ackroyd – Assistant Sound Editor
The Narrow Road to the Deep North
Andy Wright – Supervising Sound Editor/Re-recording Mixer
Mick Boraso – Sound Designer
Nick Emond – Production Mixer
Aron Dyer – Boom Operator
Gerry Nucifora – Boom Operator
Pedrag Malesev – Additional Prod Mixer
Glenn Newnham – Dialogue Editor
Will Carroll – ADR Editor
Beth Bezzina – ADR Editor
Tara Webb – FX Editor
Dylan Burgess – Foley Artist
Steve Burgess – Foley Recordist & Editor
Owen Grieve – ADR Recordist
Megan Howieson – Assistant Sound Editor
Alexander Roberts – Re-recording Mix Tech
Thou Shalt Not Steal
Luke Mynott – Sound Designer / Re-recording Mixer / Music Editor
Dylan Barfield – Supervising Sound Editor / Re-recording Mixer / Music Editor
Tania Vlassova – Re-recording Mixer/ Music Editor
Nicole Lazaroff – Production Mixer
Gavin Marsh ASSG – Production Mixer
Tyler McLoughlan – Music Supervisor
Tom Herdman – Dialogue Editor
Heidi Vybiral – SFX Editor
Adam Shaw – SFX Editor
Delroy Tranter – Boom Operator
Andrew Simmons – Foley Supervisor
Mario Vacarro – Foley Artist
Sam Turner – Foley Editor
Jayden Whitbread – Foley Editor
Micayla Lucy – Sound Assistant
Tom David – Mix Technician
Karina Pitt – Sound Producer
**Please note that during the live stream we had the wrong names attributed to Thou Shalt Not Steal**
Best Production Sound
Inside
Dane Cody ASSG – Production Mixer
Michael McEvoy – Boom Operator
Hayley Bennett – Boom Operator
The Narrow Road to the Deep North
Nick Emond ASSG – Production Mixer
Aron Dyer – Boom Operator
Gerry Nucifora – Boom Operator
Pedrag Malesev – Additional Production Mixer
The Secret Lives of Our Urban Birds
Ash Charlton ASSG – Production Mixer (Sound Recordist)
The Survivors
Tobi Armbruster – Production Sound Mixer
Gunay Demerici – Boom Operator
Rachel Larkin – Boom Operator
Andrew Plain Award
Best Sound Editing
Better Man
Paul Pirola – Supervising Sound Editor/Sound Designer/Foley Mixer
Will Files – Supervising Sound Editor
Warren Hendricks – Supervising Sound Editor
Sean McCormack – Supervising Sound Editor
Jay Jennings – Sound Designer
Ryan Cole – Dialogue Supervisor
Sam Baker – Dialogue Editors
Ray Beentjes – Dialogue Editors
Sean Massey – Dialogue Editors
Matt Lapthorne – Sound Effects Editor
Rowan Watson – Sound Effects Editor
Hayden Collow – Sound Effects Editor
Dave Esparza – Sound Effects Editor
Justin Davey – Sound Effects Editor
Liesl Pieterse – ADR Supervisor
Justine Angus ASSG – ADR Editor
Sam Rogers – Foley Artist
Nataliia Syeriakova – Foley Artist
Ryan Squires – Foley Engineer
Chris Campagna – Foley Editor
Matt ‘Smokey’ Cloud – First Assistant Sound Editor
Bring Her Back
Emma Bortignon ASSG – Supervising Sound Editor/Sound Designer
Cameron Grant – Sound Designer
Hamish Keen – Dialogue Supervisor
Justine Angus ASSG – Dialogue Editor
Leah McKeown – Dialogue Editor
Brendan Croxon – Dialogue Editor
Roisin Gleeson – Dialogue Editor
Effie Pashidis – Dialogue Editor
Lachlan Harris – Sound Effects Editor
Lee Yee – Sound Effects Editor
Jennifer Leonforte – Sound Editor
Matt Lapthorne – Foley Supervisor
Sam Rogers – Foley Artist
Ryan Squires – Foley Recordist
Lara Schneider – Foley Editor
Memoir of a Snail
David Williams – Sound Designer
Lee Yee – Sound FX Editor
Owen Grieve – Dialogue Editor
Dylan Burgess – Foley Artist
Steve Burgess – Foley Recordist & Editor
The Order
Andy Neil – Sound Designer
Glenn Newnham – Dialogue Editor
David Williams – FX Editor
Dylan Burgess – Foley Artist
Steve Burgess – Foley Recordist
Best Sound Mixing
Bring Her Back
Pete Smith ASSG – Re-Recording Mixer
Emma Bortignon ASSG – Re-Recording Mixer
Christian Scallan – Re-Recording Mixer
Matt Lapthorne – Mix Assistant
The Narrow Road to the Deep North
Andy Wright – Re-recording Mixer
Alexander Roberts – Re-recording Mix Tech
The Order
Andy Neil – Re-recording Mixer
James Ashton – Re-recording Mixer
Went Up The Hill
Justin Spasevski – Re-Recording
Best Music Production
Better Man
Tim Ryan – Supervising Music Editor
Craig Beckett – Music Editor
Liam Moses – Music Editor
Elaine Beckett – Music Editorial Co-ordinator
Bring Her Back
Cornel Wilczek – Score Mixer
Evan McHugh – Score Mixer
Guss Hoevenaars – Score Engineer
Emily Rogers Swanson – Music Editor
Dangerous Animals
Tim Ryan – Supervising Music Editor
Liam Moses – Music Editor/Score ProTools Operator
Evan McHugh – Score Engineer and Mixer
Isaac Ross – Assistant Score Engineer
We Bury The Dead
Craig Beckett – Score Mixer/Music Editor
Liam Moses – Music Editor
Best Sound for an Animated Feature Film
Memoir of a Snail
David Williams – Sound Designer/Original Dialogue Mixer/Re-recording Mixer
Andy Wright – Re-recording Mixer
Owen Grieve – Original Dialogue Mixer/Re-recording Mix Tech
Alexander Roberts – Original Dialogue Mixer
Will Carroll – Original Dialogue Mixer
Lee Yee – Sound FX Editor
Dylan Burgess – Foley Artist
Steve Burgess – Foley Recordist & Editor
The King of Kings
Hamish Keen – Supervising Sound Editor/Re-recording Mixer
Simon Rosenberg – Re-recording Mixer
Pete Smith ASSG – Re-recording Mixer
Tom Heuzenroeder – Sound Designer
Duncan Campbell – Sound Designer
David Guerrero – Dialogue Supervisor
Emma Bortignon ASSG – Supervising Dialogue Editor
Jamie Thomason – Voice Director
Brendan Croxon – Dialogue Editor
Alicia Slusarski – Sound Effects Editor
Carlos Manrique Clavijo – Sound Effects Editor
Sam Rogers – Foley Artist
Ryan Squires – Foley Recordist
Alex Olijnyk – Music Editor
Effie Flynn – Sound Editor
Lee Yee – Foley & Sound Effects Editor
Matthew Hadley – Foley Editor
Olivia Aquilina – Foley Editor
Jennifer Leonforte – Sound Editor
Roisin Gleeson – First Assistant Sound Editor
Oscar Ellery – Assistant Sound Editor
Adrian Medhurst – Additional Foley Artist
Simon Koehn – Additional Foley Recordist
Victor Ivchenko – Mix Technician
Oscar Ellery – Mix Technician
The Lost Tiger
Sam Gain-Emery – Supervising Sound Editor
Ben Steward – Supervising Sound Editor / Sound Designer/Dialogue Recording
Thom Kellar – SFX Editor/Re-recording Mixer
Thalia Colettis – Dialogue Recording/Re-recording Mixer
Scott Heming – Foley Recordist
Gerry Long – Foley Artist
Jacob Gibson – SFX Editor
Sam Lowe – Music Score Mixer
James Bryant – Dialogue Recording
Mark Kondracki – Dialogue Recording
Andrew Miller – Dialogue Recording
Andrew McGrath – Dialogue Recording
Angus Robertson ASSG – Dialogue Recording
Arthur Hunter – Dialogue Recording
Kalem Murray – Dialogue Recording
Jodie Bell – Dialogue Recording
Iain Gordon – Dialogue Recording
Chris Faiumu – Dialogue Recording
Romain Quessaud – Score Assistant/Additional Music & Arranging
Best Sound for an Independent Feature Film
He Ain’t Heavy
Brad Habib – Sound Designer/Supervising Sound Editor
Tam Glover – Sound Designer/Re-Recording Mixer/Score Mixer
Scott Montgomery – Production Mixer
Collin Graham – Dialogue Editor/Foley Editor
Glenn Martin – Sound Effects Editor
Brendan Hill – Foley Artist/Foley Editor
Brian Kruger – Score Engineer
Alexander Blocher – Boom Operator
Lachlan Cooper – ADR Recordist
Cris Aragón – ADR Recordist
Holly Miller Brouwer – Post Sound Producer
Moonrise Over Knights Hill
Stuart Melvey – Sound Designer/Re-Recording Mixer/Sound Editor/Score Mixer
Nathan Bell – Sound Mixer
Jaedon Cooper – Boom Operator
Eden Robinson – Boom Operator
Chloe Turner – Foley Artist/Foley Editor
Gareth Evans – Additional Boom Operator
Space/Time
Adrian Diery – Sound Supervisor/Re-Recording Mixer/Dialogue, ADR, Music & FX Editor
Hayden Riley – Sound Designer/Foley Editor/SFX Editor/Re-Recording Mixer
Thom Kellar – Re-Recording Mixer
Shane Kao – Production Mixer
Josh O’Donnell – Production Mixer/Boom Operator
David Gaylard – Dialogue & ADR Editor
Ben Vlad – FX Editor
Alex Stinson – Score Recording Engineer
Sam Lowe – Music Mixer
Matt Ault – Boom Operator
Kara Moolman – Boom Operator
Acalia McNamara – Foley Editor
The Way, My Way
Wayne Pashley ASSG – Sound Designer/Supervising Sound Editor/Re-recording Mixer
Nick Emond ASSG – Production Mixer
Gerry Nucifora – Boom Swinger
Derryn Pasquill – Dialogue Editor
Daniel Hackett – ADR Mixer/Sound Effects Editor
Max Pashley – Sound Effects Editor
Blair Slater – Foley Supervisor
Dan Johnston – Foley Artist
Duncan McAllister – Foley Recordist
Luisa Hadley – Foley Editor
Chloe Turner – Foley Editor
Libby Villa ASSG – Sound Post Coordinator
Best Sound for a Feature Film
Better Man
Paul Pirola – Supervising Sound Editor/Sound Designer/Foley Mixer
Tim Ryan – Supervising Music Editor
Will Files – Supervising Sound Editor
Warren Hendricks – Supervising Sound Editor
Sean McCormack – Supervising Sound Editor
Guntis Sics – Production Sound Mixer
Jay Jennings – Sound Designer
Ryan Cole – Dialogue Supervisor
Andy Nelson – Re-Recording Mixer
Luke Schwarzweller – Re-Recording Mixer
Greg P Russell – Re-Recording Mixer
Tom Marks – Re-Recording Mixer
Sam Baker – Dialogue Editors
Ray Beentjes – Dialogue Editors
Sean Massey – Dialogue Editors
Matt Lapthorne – Sound Effects Editor
Rowan Watson – Sound Effects Editor
Hayden Collow – Sound Effects Editor
Dave Esparza – Sound Effects Editor
Justin Davey – Sound Effects Editor
Craig Beckett – Music Editor
Liam Moses – Music Editor
Sam Rogers – Foley Artist
Nataliia Syeriakova – Foley Artist
Ryan Squires – Foley Engineer
Chris Campagna – Foley Editor
Matthew Ault – Boom Operator
Dan Giles – Boom Operator
Liesl Pieterse – ADR Supervisor
Justine Angus ASSG – ADR Editor
Matt ‘Smokey’ Cloud – First Assistant Sound Editor
Sophie Norfolk – Sound Utility
Elaine Beckett – Music Editorial Co-ordinator
Bring Her Back
Emma Bortignon ASSG – Supervising Sound Editor/Sound Designer/Re-Recording Mixer
Pete Smith ASSG – Re-Recording Mixer
Christian Scallan – Re-Recording Mixer
Cameron Grant – Sound Designer
Nick Steele – Production Mixer
Hamish Keen – Dialogue Supervisor
Justine Angus ASSG – Dialogue Editor
Leah McKeown – Dialogue Editor
Brendan Croxon – Dialogue Editor
Roisin Gleeson – Dialogue Editor
Effie Pashidis – Dialogue Editor
Lachlan Harris – Sound Effects Editor
Lee Yee – Sound Effects Editor
Jennifer Leonforte – Sound Editor
Oliver McLoughlin – Boom Operator
Jace Hooper – Boom Operator and Utility Sound Tech
Leigh Kenyon – Additional Sound Recordist
Will Sheridan – Additional Sound Recordist
Josh Williams – Additional Sound Recordist
Matt Lapthorne – Foley Supervisor
Sam Rogers – Foley Artist
Ryan Squires – Foley Recordist
Lara Schneider – Foley Editor
Emily Rogers Swanson – Music Editor
Cornel Wilczek – Score Mixer
Evan McHugh – Score Mixer
Guss Hoevenaars – Score Engineer
Matt Lapthorne – Mix Assistant
Aidyn Davis – Additional Boom Operator
Charles Alderson – Additional Boom Operator
The Order
Andy Neil – Sound Designer / Re-recording Mixer
James Ashton – Re-recording Mixer
Glenn Newnham – Dialogue Editor
David Williams – FX Editor
Dylan Burgess – Foley Artist
Steve Burgess – Foley Recordist
Went Up The Hill
Justin Spasevski – Sound Designer & Re-Recording
Jess Meier – Sound Design
Chris Hiles – Production Mixer
Leah Katz – Dialogue Editor and ADR supervisor
Adrian Medhurst – Foley Artist
Duncan Campbell – Foley Recordist
Danny Reisch – Music Mix Engineer / Music Producer
Todd Waldron – Music Recording Engineer
Hanan Townshend – Music Producer
Matt Lee – Sound Assistant
Sean Walker – Sound Assistant
Mick Boraso – Temp Sound
Jessy McNamara – First Assistant Sound
Joel Anscombe-Smith – Additional Sound Recordists
Nic Widfeldt – Additional Sound Recordists
Ben Delany – Additional boom
Eilish Overweg – Sound trainee
Isaac Townshend – Music Record Assistant